A Place of Hiding

Enhanced descriptions from Syndetics:

The sudden death of Guy Brouard after his morning swim shocks the residents of Guernsey. A generous patron and benefactor of the island since his arrival there a decade ago, his demise puts a question mark over many cherished projects.

When a young American woman is charged with the murder, her brother seeks help from the only contact he has in the UK - Deborah St James. Deborah is horrified to find that her old friend has been arrested and persuades her husband Simon to accompany her to Guernsey to avert this miscarriage of justice.

There they find a tangled web of deceit and betrayal, with its origins in wartime occupation. In solving the crime, they must rely on their long-standing friendship with Inspector Lynley; they must also learn painful lessons about loyalty and trust, and the loving tyranny of family ties.

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November 10, 2:45 p.m. MONTECITO, CALIFORNIA Santa Ana winds were no friends of photography, but that was something you could not tell an egomaniacal architect who believed his entire reputation rested upon capturing for posterity--and for Architectural Digest--fifty-two thousand square feet of unfinished hillside sprawl today. You couldn't even try to tell him that. Because when you finally found the location after making what felt like two dozen wrong turns, you were already late, he was already ticked off, and the arid wind was already throwing up so much dust that all you wanted to do was get out of there as fast as possible, which wasn't going to be possible if you argued with him over whether you were going to take the pictures in the first place. So you took them, never mind the dust, never mind the tumbleweeds that seemed to have been imported by a special-effects team to make several million dollars' worth of California ocean-view real estate look like Barstow in August, and never mind the fact that the grit got under your contact lenses and the air made your skin feel like peach pits and your hair like burnt hay. The job was everything; the job was all. And since China River supported herself by doing the job, she did it. But she wasn't happy. When she completed the work, a patina of grime lay on her clothes and against her skin, and the only thing she wanted--other than a tall glass of the coldest water she could find and a long soak in a very cool tub--was to be out of there: off the hillside and closer to the beach. So she said, "That's it, then. I'll have proofs for you to choose from the day after tomorrow. One o'clock? Your office? Good. I'll be there," and she strode off without giving the man a chance to reply. She didn't much care about his reaction to her abrupt departure, either. She drove back down the hillside in her ancient Plymouth, along a smoothly paved road, potholes being permanently banned in Montecito. The route took her past houses of the Santa Barbara super-rich who lived their shielded privileged lives behind electronic gates, where they swam in designer swimming pools and toweled themselves off afterwards on terrycloth as thick and white as a Colorado snow bank. She braked occasionally for Mexican gardeners who sweated behind those protective walls and for teenage girls on horseback who bounced along in tight-fitting blue jeans and skimpy T-shirts. The hair on these girls swung in the sunlight. On every last one of them it was long and straight and shiny like something lit it from within. Their skin was flawless and their teeth were perfect, too. And not a single one of them carried an ounce of unwanted flesh anywhere. But then, why would they? Weight wouldn't have had the moral fortitude to linger upon them any longer than the time it took them to stand on the bathroom scale, get hysterical, and fling themselves at the toilet afterwards. They were so pathetic, China thought. The whole coddled, undernourished crowd of them. And what was worse for the little twits: Their mothers probably looked exactly like them, doing their part to be role models for a lifetime of personal trainers, plastic surgery, shopping excursions, daily massages, weekly manicures, and regular sessions with a shrink. There was nothing like having a gold-plated meal ticket, courtesy of some idiot whose only requirement of his women was zeroed in on the looks department. Whenever China had to come to Montecito, she couldn't wait to get out of Montecito, and today was no different. If anything, today the wind and the heat made the urgency to put this place behind her worse than normal, like something gnawing at her mood. Which was bad enough already. An overall uneasiness had been sitting on her shoulders since the moment her alarm had rung early that morning. Nothing else had rung. That was the problem. Upon waking, she'd made that automatic three-hour leap in time to ten-a.m.-in-Manhattan-so-why-hasn't-he-called, and while the hours passed till the one at which she had to leave for her appointment in Montecito, she'd mostly watched the phone and stewed, something that was easy enough to do since it was nearly eighty degrees by nine a.m. She'd tried to occupy herself. She'd watered the entire front yard by hand and she'd done the same to the back, right down to the grass. She'd talked over the fence to Anita Garcia--Hey, girl, is this weather killing you? Man oh man, it's destroying me--and sympathised with her neighbour's degree of water retention in this last month of her pregnancy. She'd washed the Plymouth and dried it as she went, managing to stay one step ahead of the dust that wanted to adhere to it and turn into mud. And she leaped inside the house twice when the phone rang, only to find those unctuous, obnoxious telephone solicitors on the line, the kind who always wanted to know what kind of day you were having before they launched into their spiels about changing your long-distance telephone company which would, of course, also change your life. Finally, she'd had to leave for Montecito. But not before she picked up the phone one last time to make sure she had a dial tone and not before she double-checked her answering machine to make sure it would take a message. All the time she hated herself for not being able just to dismiss him. But that had been the problem for years. Thirteen of them. God. How she hated love. Her cell phone was the phone that finally did the ringing towards the end of her drive home to the beach. Not five minutes away from the uneven lump of sidewalk that marked the concrete path to her own front door, it chimed on the passenger seat and China grabbed it up to hear Matt's voice. "Hey, good-looking." He sounded cheerful. "Hey yourself." She hated the instant relief she felt, like she'd been uncorked of carbonated anxiety. She said nothing else. He read that easily. "Pissed?" Nothing from her end. Let him hang, she thought. "I guess I've blown my wad with this one." "Where've you been?" she demanded. "I thought you were calling this morning. I waited at the house. I hate it when you do that, Matt. Why don't you get it? If you're not going to call, just say that in the first place and I can deal with it, okay? Why didn't you call?" "Sorry. I meant to. I kept reminding myself all day." "And . . . ?" "It's not going to sound good, China." "Try me." "Okay. A real bitch of a cold front moved in last night. I had to spend half the morning trying to find a decent coat." "You couldn't call from your cell while you were out?" "Forgot to take it. I'm sorry. Like I said." She could hear the ubiquitous background noises of Manhattan, the same noises she heard whenever he called from New York. The blare of horns reverberating through architectural canyons, jack hammers firing like heavy armaments against cement. But if he'd left his cell phone in the hotel, what was he doing on the street with it now? "On my way to dinner," he told her. "Last meeting. Of the day, that is." She'd pulled to the sidewalk at a vacant spot about thirty yards down the street from her house. She hated stopping because the air conditioning in her car was too weak to make much of a dent in the stifling interior so she was desperate to get out, but Matt's last remark made the heat suddenly less important and certainly far less noticeable. All her attention shifted to his meaning. If nothing else, she'd learned to keep her mouth shut when he dropped one of his small verbal incendiary bombs. There'd been a time when she'd jump all over him at a remark like "Of the day, that is," to weed specifics out of his implications. But the years had taught her that silence served just as well as demands or accusations. It also gave her the upper hand once he finally admitted what he was trying to avoid saying. It came in a rush. "Here's the situation. I've got to stay here another week. I've got a chance to talk to some people about a grant, and I need to see them." "Matt. Come on." "Wait, babe. Listen. These guys dumped a fortune on a filmmaker from NYU last year. They're looking for a project. Hear that? They're actually looking." "How do you know?" "That's what I was told." "By who?" "So I called them and I managed to get an appointment. But not till next Thursday. So I've got to stay." "Goodbye Cambria, then." "No, we'll do it. We just can't next week." "Sure. Then when?" "That's just it." The street sounds on the other end of the cell phone seemed to grow louder for a moment, as if he were throwing himself into the midst of them, forced off the sidewalk by the congestion of the city at the end of a workday. She said, "Matt? Matt?" and knew a moment of irrational panic when she thought she'd lost him. Damn phones and damn signals, always fading in and out. But he came back on the line and it was quieter. He'd ducked inside a restaurant, he said. "This is make or break for the film. China, this one's a festival winner. Sundance for sure, and you know what that can mean. I hate letting you down like this, but if I don't make a pitch to these people, I'm not going to be worth taking you anywhere. To Cambria. To Paris. Or to Kalamazoo. That's just how it is." "Fine," she told him, but it was not and he would know that by the flat sound of her voice. It had been a month since he'd managed to carve two days away from pitch-meetings in LA and funding-scavenges across the rest of the country, and before that it had been six weeks while she cold-called potential clients for herself and he continued to pursue the horizon of his dream. "Sometimes," she said, "I wonder if you'll ever be able to put it together, Matt." "I know. It seems like it takes forever to get a film going. And sometimes it does. You know the stories. Years in development and then--wham!--instant box office. But I want to do this. I need to do it. I'm just sorry it seems like we end up apart more than we're together." China heard all this as she watched a toddler trundle along the sidewalk on his tricycle, trailed by his watchful mother and even more watchful German shepherd. The child came to a spot where the cement was uneven, lifted on an angle by the root of a tree, and his wheel rammed into the resulting eruption. He tried to move his pedals against it, but he could do nothing till Mom came to his aid. The sight of this filled China with unaccountable sadness. Matt was waiting for her response. She tried to think of some new variation on expressing disappointment, but she could come up with nothing. So she said, "I wasn't really talking about putting together a film, Matt." He said, "Oh." Then there was nothing more to discuss because she knew that he would stay in New York to keep the appointment he'd fought so hard to get and she would have to fend for herself, another date broken, another wrench thrown in the works of the great Life Plan. She said, "Well, good luck with your meeting." He said, "We'll talk. All week. All right? You okay with this, China?" "What choice do I have?" she asked him and said goodbye. She hated herself for ending their conversation like that, but she was hot, miserable, dispirited, depressed . . . Call it what you wanted to call it. In any event, she had nothing more to give. She loathed the part of herself that was unsure of the future, and most of the time she could keep that side of her character subdued. When it got away from her and gained dominance in her life like an overconfident guide into chaos, it never led to anything good. It reduced her to adhering to a belief in the importance of the sort of womanhood she had long detested, one defined by having a man at any cost, lassoing him into marriage, and plugging up his life with babies ASAP. She would not go there, she told herself repeatedly. But a fraction of her wanted it anyway. This led her to asking questions, making demands, and turning her attention to an us instead of keeping it focused on a me. When that occurred, what flared up between her and the man in question--who had always been Matt--was a replay of the debate they'd been having for five years now. This was a circular polemic on the subject of marriage that had so far achieved the same result: his obvious reluctance--as if she actually needed to see it and hear it--followed by her furious recriminations, which were then followed by a break-up initiated by whoever felt most exasperated with the differences that cropped up between them. Those same differences kept bringing them back together, though. For they charged the relationship with an undeniable excitement that so far neither one of them had found with anyone else. He had probably tried. China knew that. But she had not. She didn't need to. She'd known for years that Matthew Whitecomb was right for her. China had arrived at this conclusion yet again by the time she reached her bungalow: one thousand square feet of 1920 architecture that had once served as the weekend getaway of an Angeleno. It sat among other similar cottages on a street lined with palm trees, close enough to the beach to reap the benefit of the ocean breeze, far enough from the water to be affordable. It was definitely humble, comprising five small rooms--if you counted the bathroom--and only nine windows, with a wide front porch and a rectangle of lawn in the front and the back. A picket fence fronted the property, shedding flakes of white paint into the flowerbeds and onto the sidewalk, and it was to the gate in this fence that China lumbered with her photography equipment once she ended her conversation with Matt. The heat beat down, only less marginally intense than it had been on the hillside, but the wind wasn't as fierce. The palm fronds rattled like old bones in the trees, and where lavender lantana grew against the front fence, it hung listlessly in the bright sunlight, with flowers like purple asterisks, growing out of ground that was thoroughly parched this afternoon, as if it hadn't been watered this morning. Excerpted from A Place of Hiding by Elizabeth George All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reviews provided by Syndetics

Library Journal Review

George's novel suffers from too much detail, too many characters, and an excruciatingly slow pace. As a departure from her well-sustained Thomas Lynley series, this mystery is probed by Thomas's friends Simon St. James, a forensic scientist, and his wife, Deborah. Their own back story is entwined in the present as they try to prove Deborah's old friend China River did not kill the wealthy benefactor of the Island of Guernsey, Guy Brouard. The plot generally stays intriguing as there are many other viable suspects with a variety of secrets, but the pacing of the story and the major players' weaknesses probably are too distracting for a wide audience. The program might appeal to World War II history buffs because of the subplot about the island's occupation by the Nazis. Reader Donada Peters is masterful in multiple languages and accents. Recommended only for libraries with mystery lovers very dedicated to extremely long audiobooks. An abridged version may be a better investment.-Joyce Kessel, Villa Maria Coll., Buffalo, NY (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Review

Fans disappointed by George's atypical story collection, I, Richard (2002), will be relieved to find the bestselling transatlantic author back at the top of her form. This exquisitely plotted mystery bursts with well-developed characters, notably forensic scientist Simon St. James and his photographer wife, Deborah. Lured by the free airline tickets and the $5,000 fee, China River, an old friend of Deborah's, and her half-brother, Cherokee (their mother was into the hippie counterculture), agree to fly from sunny California to rainy England to deliver a package containing architectural drawings to Guy Brouard, a rich landholder on the Channel island of Guernsey. The drawings are for a museum Brouard plans to build on the island honoring those who resisted the WWII German occupation. When the philandering philanthropist gets murdered and the police arrest China, Cherokee turns to Simon and Deborah for help. Curiously, for all the victim's wealth, no one seems to benefit from his death. The theme of hiding-of hopes, of the past, of secret places-underpins this intricate story about friendship, anger, loyalty and betrayal. Comic touches provide some relief as the suspense builds to an unexpected and explosive climax. With her flair for language, George reinforces her reputation as one of today's finest mystery writers. (July 29) Forecast: The broadcast this summer of four new mystery episodes on PBS featuring George's Inspector Lynley, who makes a cameo appearance in A Place of Hiding, may help lengthen the novel's run on bestseller lists. (c) Copyright PWxyz, LLC. All rights reserved

Booklist Review

Deborah St. James is shocked when Cherokee River, the brother of the woman she lived with during her difficult student days in America, shows up on the doorstep of her London home. China River, she is told, is in a musty Guernsey jail, accused of murdering wealthy Guy Brouard during her stay at his Channel Isles estate. Stunned Deborah and her analytical husband, Simon, are soon on their way to Guernsey, and as usual in George's multilayered thrillers, it takes keen insight and hard work to disentangle the intricately woven snarl of secrets and lies that awaits them-the first of which surrounds Brouard himself. A familiar setup? You bet, but as the celebrated mystery writer's fans know, there's nothing predictable about the way George works things out. Once again, her nuanced characterizations drive the novel; the troubling private problems of Brouard's family and acquaintances must be fully limned before the murderer comes to light. That's true, as well, of the St. Jameses, perhaps the least vigorous of George's customary cast, whose investigations force them to confront difficulties in their own May-December marriage. Like the author's previous books, this commands attention. It's dense, complex, and riveting. --Stephanie Zvirin

Kirkus Book Review

Who'd want to murder Jewish WWII survivor Guy Brouard, a man devoted to his cancer-stricken sister Ruth, and the wealthiest resident on the isle of Guernsey? Well, let's see. Several ex-wives and discarded mistresses; a father whose nubile daughter he debauched; his disagreeable middle-aged son Adrian; an architect he promised work and then shunned; a war hero and his son who planned a war museum in partnership with him but were actually his gulls. The person the police have put in jail, Californian China River, visiting the island with her brother Cherokee, who'd been hired to deliver a package to Brouard, is the only suspect with no apparent motive. But eyewitnesses insist they saw her follow Brouard to the beach. Was it really China inside that hooded cloak? When Cherokee rushes to London to ask China's old friend Deborah St. James for help, Deborah, convinced that China could never commit murder, insists on returning to Guernsey with him, accompanied by Simon, her forensic scientist husband, who's not nearly as convinced. And now what began as a simple whodunit turns into an anatomy of lies stretching from a WWII quisling and the provenance of an Old Master painting to teenage hormones and the desperate longing for a surfboard. George (I, Richard, 2002, etc.) never met a sentence she didn't want to expand or an ending she didn't want to douse in melodrama. But her latest extravaganza may make you think twice about telling even a little white lie. Copyright ©Kirkus Reviews, used with permission.