Hornet's Nest
Material type:
- 9780399142284
- F/COR
Item type | Current library | Call number | Status | Date due | Barcode | Item holds | |
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Kandy | F/COR |
Available
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KB100474 |
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Excerpt provided by Syndetics
Reviews provided by Syndetics
Publishers Weekly Review
The decision to abandon her forensic pathologist Kay Scarpetta (Body of Evidence; Cause of Death; etc.) leaves Cornwell lacking more than a fail-safe series heroine. The only credible element in this novel is the urban New South setting. The story-about two women top cops and a young male newspaper reporter in Charlotte, N.C.-is routine fare at best. The three characters-42-year-old Deputy Chief Virginia West; her boss, unhappily married Chief Judy Hammer; and handsome wunderkind journalist and volunteer cop, Andy Brazil-are preternaturally competent automatons, obsessive and utterly devoid of self-awareness. A sequence of serial killings of out-of-towners, men who are pulled from their rental cars, sexually mutilated, marked with orange spray paint and shot, creates tension in Charlotte. While Hammer struggles with city politics and a depressed, obese husband, West contends with Brazil (a "handsome and fierce" 22-year-old with "total photographic recall"), who is on assignment to write about police activity, having impressed his editor by turning in "a hundred of hours' overtime five months in a row." Rather than reveal her characters through their words and actions, Cornwell forces them on us predigested ("West believed women were great"; "Brazil did not believe prostitution was right."). In that same descriptive mode, she takes them on roller coaster rides of extravagant emotion-rage, grief, resolve, despair-and offers set pieces in place of plot: mid-book, more than 150 pages pass without mention of the murders. We are made privy to the fantasies of West's cat, but not to the motivations behind the killings. There is nothing to believe in on these pages beyond Charlotte itself. 750,000 first printing; $500,000 ad/promo; Literary Guild, Mystery Guild and Doubleday Book Club selections. (Jan.) (c) Copyright PWxyz, LLC. All rights reservedBooklist Review
Readers new to Cornwell may be puzzled by her high-caliber reputation as they start working their way through this sluggish and convoluted tale, but it isn't a total loss. The setting is intriguing: Charlotte, North Carolina, a city on the make, with crime rising as fast as its new glass towers. Everyone from the mayor on down is desperate to solve the latest crisis: a serial killer is specializing in out-of-town businessmen. Known for her strong female characters, Cornwell must have decided that if one heroine is good, two are better, so she presents us with a classy police chief named Judy Hammer and her top deputy Virginia West, who isn't afraid of cholesterol, cigarettes, or rednecks. Up to their stubborn necks in work, Hammer and West are not at all pleased to have to play nursemaid to a cub reporter named Andy Brazil. The son of a murdered policeman and an alcoholic mother, Brazil is hell bent on winning the Pulitzer. To that end, he's trained as a volunteer cop and wheedled permission to ride patrol. A serviceable setup and Cornwell does well with her gals, but she gets as lost as a weary shopper in a gigantic parking lot after dark when it comes to finding her way through Brazil's dead-end psyche. The scenes where West and Hammer save this silly gentleman-in-distress are quite amusing; otherwise, this is a dud. --Donna SeamanKirkus Book Review
Dr. Kay Scarpetta, the most famous medical examiner in fiction (see Cause of Death, p. 715, etc.), will have to fend for herself this time, as her creator leaves her behind for a big- city cop novel set in Charlotte, North Carolina. Not that Cornwell's heroines aren't just as tough (and don't need to be) as Scarpetta. Police chief Judy Hammer's force would die for her almost to a man; even her ineffectual husband dreams of being ravished by her in full cop regalia. Deputy Chief Virginia West, Hammer's head of investigations, is married only to her job and has no energy for diplomacy when Hammer assigns her to ride with Andy Brazil, the hard-charging Charlotte Observer reporter who's earned top marks at the volunteer police academy in order to snare the police beat at his paper and make his stories more authentic. And what a story Brazil's on the trail of: the Black Widow, a killer who preys on visiting businessmen, ambushing them in their rented cars, shooting them, and spraypainting their genitals orange (you won't believe why). As if the Black Widow weren't menace enough, Brazil also has to contend with slimy TV reporter Brent Webb and with vengeful redneck Bubba Rickman, who, beaten up by Brazil while riding with West, is convinced that ``it was his calling . . . to smite them in the name of America.'' The action boils furiously, but the hostility--between cops and crooks, cops and the press, cops and cops--is so unrelenting that eventually Cornwell's cast, divided into superhuman workaholics and lesser mortals driven by envy and lust, starts to get monotonous: You may hardly notice when Bubba and the Black Widow get their oh-so-just deserts. Cornwell brings an edgy authority, a gimlet eye for her city, and a taste for nonstop conflict to the police novel, but not the commanding focus of Wambaugh or Daley--or her own earlier forensic procedurals. (First printing of 750,000; $500,000 ad/promo; Literary Guild main selection; Mystery Guild main selection)There are no comments on this title.
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