Station Eleven

Enhanced descriptions from Syndetics:

A flight from Russia lands in middle America, its passengers carrying a virus that explodes like a neutron bomb over the surface of the earth. In a blink, the world as we know it collapses. No more ballgames played under floodlights, Emily St. John Mandel writes in this smart and sober homage to life's smaller pleasures, brutally erased by an apocalypse. No more trains running under the surface of cities ... No more cities ... No more Internet ... No more avatars. Survivors become scavengers, roaming the ravaged landscape or clustering in pocket settlements, some of them welcoming, some dangerous. What's touching about the world of Station Eleven is its ode to what survived, in particular the music and plays performed for wasteland communities by a roving Shakespeare troupe, the Traveling Symphony, whose members form a wounded family of sorts.

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Jeevan's understanding of disaster preparedness was based entirely on action movies, but on the other hand, he'd seen a lot of action movies. He started with water, filled one of the oversized shopping carts with as many cases and bottles as he could fit. There was a moment of doubt on the way to the cash registers, straining against the weight of the cart--was he overreacting?--but there was a certain momentum now, too late to turn back. The clerk raised an eyebrow but said nothing. "I'm parked just outside," he said. "I'll bring the cart back." The clerk nodded, tired. She was young, early twenties probably, with dark bangs that she kept pushing out of her eyes. He forced the impossibly heavy cart outside and half-pushed, half-skidded through the snow at the exit. There was a long ramp down into a small park-like arrangement of benches and planters. The cart gained speed on the incline, bogged down in deep snow at the bottom of the ramp and slid sideways into a planter. It was eleven twenty. The supermarket closed in forty minutes. He was imagining how long it would take to bring the cart up to Frank's apartment, to unload it, the time required for tedious explanations and reassurances of sanity before he could return to the grocery store for more supplies. Could there be any harm in leaving the cart here for the moment? There was no one on the street. He called Hua on his way back into the store. "What's happening now?" He moved quickly through the store while Hua spoke. Another case of water--Jeevan was under the impression that one can never have too much--and then cans and cans of food, all the tuna and beans and soup on the shelf, pasta, anything that looked like it might last a while. The hospital was full of flu patients and the situation was identical at the other hospitals in the city. The ambulance service was overwhelmed. Thirty-seven patients had died now, including every patient who'd been on the Moscow flight and two E.R. nurses who'd been on duty when the first patients came in. The shopping cart was almost unmanageably heavy. Hua said he'd called his wife and told her to take the kids and leave the city tonight, but not by airplane. Jeevan was standing by the cash register again, the clerk scanning his cans and packages. The part of the evening that had transpired in the Elgin Theatre seemed like possibly a different lifetime. The clerk was moving very slowly. Jeevan passed her a credit card and she scrutinized it as though she hadn't just seen it five or ten minutes ago. "Take Laura and your brother," Hua said, "and leave the city tonight." "I can't leave the city tonight, not with my brother. I can't rent a wheelchair van at this hour." In response there was only a muffled sound. Hua was coughing. "Are you sick?" Jeevan was pushing the cart toward the door. "Goodnight, Jeevan." Hua disconnected and Jeevan was alone in the snow. He felt possessed. The next cart was all toilet paper. The cart after that was more canned goods, also frozen meat and aspirin, garbage bags, bleach, duct tape. "I work for a charity," he said to the girl behind the cash register, his third or fourth time through, but she wasn't paying much attention to him. She kept glancing up at the small television above the film development counter, ringing his items through on autopilot. Jeevan called Laura on his sixth trip through the store, but his call went to voicemail. "Laura," he began. "Laura." He thought it better to speak to her directly and it was already almost eleven fifty, there wasn't time for this. Filling the cart with more food, moving quickly through this bread-and-flower-scented world, this almost-gone place, thinking of Frank in his 22nd floor apartment, high up in the snowstorm with his insomnia and his book project, his day-old New York Times and his Beethoven. Jeevan wanted desperately to reach him. He decided to call Laura later, changed his mind and called the home line while he was standing by the checkout counter, mostly because he didn't want to make eye contact with the clerk. "Jeevan, where are you?" She sounded slightly accusatory. He handed over his credit card. "Are you watching the news?" "Should I be?" "There's a flu epidemic, Laura. It's serious." "That thing in Russia or wherever? I knew about that." "It's here now. It's worse than we'd thought. I've just been talking to Hua. You have to leave the city." He glanced up in time to see the look the checkout girl gave him. " Have to? What? Where are you, Jeevan?" He was signing his name on the slip, struggling with the cart toward the exit, where the order of the store ended and the frenzy of the storm began. It was difficult to steer the cart with one hand. There were already five carts parked haphazardly between benches and planters, dusted now with snow. "Just turn on the news, Laura." "You know I don't like to watch the news before bed. Are you having an anxiety attack?" "What? No. I'm going to my brother's place to make sure he's okay." "Why wouldn't he be?" "You're not even listening. You never listen to me." Jeevan knew this was probably a petty thing to say in the face of a probable flu pandemic, but couldn't resist. He plowed the cart into the others and dashed back into the store. "I can't believe you left me at the theatre," he said. "You just left me at the theatre performing CPR on a dead actor." "Jeevan, tell me where you are." "I'm in a grocery store." It was eleven fifty-five. This last cart was all grace items: vegetables, fruit, bags of oranges and lemons, tea, coffee, crackers, salt, preserved cakes. "Look, Laura, I don't want to argue. This flu's serious, and it's fast." "What's fast?" "This flu, Laura. It's really fast. Hua told me. It's spreading so quickly. I think you should get out of the city." At the last moment, he added a bouquet of daffodils. Excerpted from Station Eleven by Emily St. John Mandel All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reviews provided by Syndetics

Library Journal Review

Starred Review. With an all too realistic and timely premise, Mandel's (The Lola Quartet) newest tells the story of the survivors of a worldwide pandemic that kills 99.9 percent of the population. Jumping around in time, from well before the pandemic to 20 years after, this elegant tale will linger with the listener. The main characters are all somehow connected to renowned actor Arthur Leander, who dies onstage while performing King Lear at the opening of the book. The individual stories of violence and hope flow together and create a memorable tale that is greater than the individual parts. It's a rare thing a tale about the end of civilization that leaves the reader in a positive, hopeful mood. Kristen Potter demonstrates her talent in voicing the wide range of characters, ages, and accents. VERDICT Recommended for fans of literary dystopian novels. ["This is a brilliantly constructed, highly literary, postapocalyptic page-turner and should be a breakout novel for Mandel," raved the starred review of the Knopf hc, LJ 9/1/14.] Donna Bachowski, Orange Cty. Lib. Syst., Orlando, FL (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.