Syndetics cover image
Image from Syndetics

Bel canto bully : the life and times of the legendary opera impresario Domenico Barbaja / Philip Eisenbeiss.

By: Material type: TextTextPublisher: London, [England] : Haus Publishing, 2013Copyright date: ©2013Description: 1 online resource (243 pages) : illustrations, portraitsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781908323309 (e-book)
Subject(s): Genre/Form: Additional physical formats: Print version:: Bel canto bully : the life and times of the legendary opera impresario Domenico Barbaja.DDC classification:
  • 782.1094521 23
LOC classification:
  • ML1733.8.M5 .E374 2013
Online resources:
Star ratings
    Average rating: 0.0 (0 votes)
Holdings
Item type Current library Call number Status Date due Barcode Item holds
Ebrary Online Books Ebrary Online Books Colombo Available CBEBK20002237
Ebrary Online Books Ebrary Online Books Jaffna Available JFEBK20002237
Ebrary Online Books Ebrary Online Books Kandy Available KDEBK20002237
Total holds: 0

Enhanced descriptions from Syndetics:

Unscrupulous, devilishly ambitious and undeniably charismatic, Domenico Barbaja was the most celebrated Italian impresario of the early 1800s and one of the most intriguing characters to dominate the operatic empire of the period. Dubbed the "Viceroy of Naples", Barbaja was the influential force behind the careers of a plethora of artists including Vincenzo Bellini, Gioachino Rossini and the great mezzo-soprano Isabella Colbran. In this book, Eisenbeiss unlocks the enigma of this eccentric and fascinating personality that has been hitherto neglected.

Includes bibliographical references.

Description based on online resource; title from PDF title page (ebrary, viewed August 1, 2016).

Electronic reproduction. Ann Arbor, MI : ProQuest, 2016. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

Reviews provided by Syndetics

Library Journal Review

A story that started with a personal obsession (the author's passion for opera and, more specifically, its 19th-century impresarios) becomes a highly readable, even entertaining historical work about music and culture in Italy during the 1800s. Author Eisenbeiss, heart in hand, displays admirable research and analytic skills as he makes sense of an almost-unheard-of opera impresario, Domenico Barbaja. Barbaja, writes Eisenbeiss, revolutionized the way Neapolitans enjoyed music and opera, including the performances' costuming, singing styles, impact on society, and the halls themselves. Besides that, he was a womanizer, a gambler, and a charming bully. Readers get a firsthand look at the cultural and political fabric of Naples, Vienna, and Paris, including a discussion of the Bourbons vs. the Hapsburgs. The opera that grew and developed during this time would foster later composers such as Rossini, Bellini, and Donizetti. Includes appendixes about singers, currencies, and operas. Verdict A rich look at an overlooked figure in opera history.-Linda Beck, Indian Valley P.L., Telford, PA (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

There are no comments on this title.

to post a comment.