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Drawing new color lines : transnational Asian American graphic narratives / edited by Monica Chiu.

Contributor(s): Material type: TextTextSeries: Global connections (Hong Kong University Press)Publisher: Hong Kong : HKU Press, [2015]Copyright date: ©2015Description: 1 online resource (369 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9789888313242 (e-book)
Subject(s): Genre/Form: DDC classification:
  • 741.5973 23
LOC classification:
  • PN6790.A78 D73 2015
Online resources:
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Holdings
Item type Current library Call number Status Date due Barcode Item holds
Ebrary Online Books Ebrary Online Books Colombo Available CBEBK70001245
Ebrary Online Books Ebrary Online Books Jaffna Available JFEBK70001245
Ebrary Online Books Ebrary Online Books Kandy Available KDEBK70001245
Total holds: 0

Enhanced descriptions from Syndetics:

No detailed description available for "Drawing New Color Lines".

Includes bibliographical references and index.

Description based on online resource; title from PDF title page (ebrary, viewed December 5, 2014).

Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

Reviews provided by Syndetics

CHOICE Review

Drawing New Color Lines offers unique perspectives on graphic narratives and Asian American studies by highlighting the visual dimensions of Asian American identities and experiences and by exploring the genre's changing aesthetics in its transpacific movements. The collected essays not only address conventional issues in Asian American cultural production in a US framework, from gender and sexuality to the model minority myth, but also conjure up new formalistic and historical interpretations of the narratives through their transpacific movements. Rather than simply engaging theoretical issues such as post-ethnic subjectivity, gender and queer representation, and post-Vietnam military violence, Chiu (Univ. of New Hampshire) extends the collection to include manga artists who can illustrate and historicize the manga style in its evolving and changing transnational contexts and to East Asia-based scholars who can investigate different receptions of these texts in East Asian historical and cultural contexts. In this sense, the collection caters to different readerships, both beginners and fans who seek to understand the genre through its formalistic elements, historical developments, and changing cultural landscapes. Summing Up: Recommended. Lower- and upper-division undergraduates; general readers. --Yuan Shu, Texas Tech University

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