Beyond the bright sea

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- Winner of the 2018 Scott O'Dell Award for Historical Fiction -

From the bestselling author of Echo Mountain and Newbery Honor-winner Wolf Hollow , Beyond the Bright Sea is an acclaimed best book of the year.

An NPR Best Book of the Year * A Parents' Magazine Best Book of the Year * A Booklist Editors' Choice selection * A BookPage Best Book of the Year * A Horn Book Fanfare Selection * A Kirkus Best Book of the Year * A School Library Journal Best Book of the Year * A Charlotte Observer Best Book of the Year * A Southern Living Best Book of the Year * A New York Public Library Best Book of the Year

"The sight of a campfire on a distant island...proves the catalyst for a series of discoveries and events--some poignant, some frightening--that Ms. Wolk unfolds with uncommon grace ." - The Wall Street Journal
★ " Crow is a determined and dynamic heroine ." -- Publishers Weekly
★ " Beautiful, evocative ." -- Kirkus

The moving story of an orphan, determined to know her own history, who discovers the true meaning of family.

Twelve-year-old Crow has lived her entire life on a tiny, isolated piece of the starkly beautiful Elizabeth Islands in Massachusetts. Abandoned and set adrift in a small boat when she was just hours old, Crow's only companions are Osh, the man who rescued and raised her, and Miss Maggie, their fierce and affectionate neighbor across the sandbar.

Crow has always been curious about the world around her, but it isn't until the night a mysterious fire appears across the water that the unspoken question of her own history forms in her heart. Soon, an unstoppable chain of events is triggered, leading Crow down a path of discovery and danger.

Vivid and heart-wrenching, Lauren Wolk's Beyond the Bright Sea is a gorgeously crafted and tensely paced tale that explores questions of identity, belonging, and the true meaning of family.

Excerpt provided by Syndetics

Prologue My name is Crow. When I was a baby, someone tucked me into an old boat and pushed me out to sea. I washed up on a tiny island, like a seed riding the tide. It was Osh who found me and took me in. Who taught me how to put down roots, and thrive on both sun and rain, and understand what it is to bloom. The island where we found each other was small but strong, anchored by a great pile of black rock that sheltered our -cottage--a ramshackle place built from bits of lost ships--nestled on a bed of earth and sea muck, alongside a small garden and the skiff that took us wherever our feet could not. We didn't need anything else. Not in the beginning. At low tide, we could cross easily to the next island, Cuttyhunk, through shallows strewn with bootlace weed and minnows. At high tide, the cottage sat so close to the risen sea that it felt nearly like a boat itself. For a long time, I was happiest when the water rose and set us apart, on our own, so just the two of us decided everything there was to decide. And then, one night when I was twelve, I saw a fire burning on Penikese, the island where no one ever went, and I decided on my own that it was time to find out where I'd come from and why I'd been sent away. But I didn't understand what I was risking until I nearly lost it.   Chapter 1 I'll never know for sure when I was born. Not exactly. On the morning Osh found me, I was just hours old, but he had no calendar and didn't much care what day it was. So we always marked my birth on whatever midsummer day felt right. The same was true of my other milestones: moments that had nothing to do with calendars. Like the day Mouse showed up at our door, whisker thin, and decided the cottage was hers, too. Much as I had. Or the first time Osh let me take the tiller of our skiff while he sat in the bow and let the sun coddle his face for a while, his back against the mast, the fine spray veiling him in rainbows. Or the ebb tide when a white-sided dolphin stranded on our shore, Osh gone somewhere, and I came back from Cuttyhunk to find her rocking and heaving, her cries babylike and afraid. I used my bare hands to scoop away the wet sand that stuck her fast. And I grabbed her crescent flukes and tugged, inch by inch, until the water lifted her enough so we both slipped back suddenly into the sea. She looked me in the eye as she passed, as if to memorize what I was at that moment. As if to say that I should remember this, too, no matter what happened later. None of which had anything to do with calendars.   Still, I know I'd lived on that tiny island for eight years before I began to be more than just curious about my name. The dream that woke me, wondering anew about my name, was full of stars and whales blowing and the lyrics of the sea. When I opened my eyes, I lay for a minute, watching Osh as he stood at the stove, cooking porridge in a scabby pot. I sat up and rubbed the sleep from my eyes. "Why is my name Crow?" I asked. When Osh stirred the porridge, the spoon made a sound like a boat being dragged across the beach. "I've told you," he said. "You were hoarse with crying when you washed up here. You cawed over and over. So I called you Crow." That answer had always been enough before. But it didn't explain everything. And everything was what I had begun to want. "In English?" I asked. Osh sometimes spoke in a language I didn't know, his voice like music, especially when he prayed, but also when he painted his pictures of the islands and the sea. When I first asked Osh about it, he said that it was one of the few things he'd kept from life before the island. Before me. Even though he did not speak it often, that other tongue flavored his English so he sounded different from everyone else. Miss Maggie called it his accent. But I thought maybe it was everyone else who had an accent. "No, not English at first," he said. "But people here speak English. So: Crow." I stood and stretched the night out of my bones. My arms, in the thin morning light, looked almost nothing like wings. But when I stepped onto a stool in front of our mirror--just big enough for a face--I could see the resemblance in the curve of my nose. The birthmark on my cheek that looked like a little feather. My hair, darker than anyone else's. My dark eyes. My skin, like Osh's after six months in the sun. I looked down at my skinny legs, my bony feet. Plenty of other reasons to be called Crow besides the way I had once cried. Osh, himself, had three names. Daniel: what Miss Maggie called him. The Painter: what the summer people called him. Osh: what I had called him since the time I could make words out loud. His real name was complicated. Difficult for a small child to say. "Osh" was all I'd been able to manage. And Osh was what I'd called him ever since. "I wish I knew what my real name was," I said. For a long moment, Osh was still. "What do you mean by real ?" he said. "My real name. The one my parents gave me." Osh was again silent for a while. Then he said, "You were brand-new when you arrived here. I don't know that you ever had a different name." He scooped some porridge into a bowl. "And if you did, I don't know how we'll ever learn what it was." I fetched two spoons. "What it is , you mean." When Osh shrugged, the hair that lay on his shoulders rolled up like night waves. "Was. Is. Will be." He filled a second bowl. "It doesn't much matter, since you're here now. And you have a name." The sound of the porridge thwup ping into the crockery, the tock of the wooden spoon against the edge of the bowl, made me wonder who had named those things. And everything else in the world. Including me. I could feel my curiosity strengthening, as if it were part of my bones, keeping pace with them as I grew. But more than that--more than simple curiosity--I had a nagging need to know what I didn't know. I wanted to know why there were pearls tucked inside some of the Cuttyhunk oysters but not others. I wanted to know how the moon could drag the ocean in and out from such a distance, when it couldn't stir the milk in Miss Maggie's tea. But I needed to know, among other things, why so many of the Cuttyhunk Islanders stayed away from me, as if they were afraid, when I was smaller than any of them. I wondered whether it had anything to do with where I'd come from, but that didn't make any sense. What did where have to do with what ? Or who ? Something, yes. But not everything. And I needed to know all three. Osh didn't. When I asked questions about pearls or tides, he did his best to answer them. But when I looked beyond our life on the islands, he became the moon itself, bent on tugging me back, as if I were made of sea instead of blood. "I came a long, long way to be here," he once said when I asked him about his life before the one we shared. "As far as I could get from a place where people--where my own brothers--jumped headlong into such terrible fighting that no one could see a thing through that bedlam. And for what? Over what?" He shook his head. "Over nothing worth the fight. So I refused to be one of them. And here I am. And here I'll stay."   While I waited for Osh to bring our porridge to the table, I tried to think of another name that suited me well, but I came up with nothing better than Crow, which I already had. And it pleased me that I was named for a bird that was smarter than most. Smarter, even, than some people. So different from the gulls and fish hawks that wheeled and dipped over the islands that I felt a certain kinship with the big, black birds that drifted over from the mainland like lost kites, tipping to and fro in the wind before settling noisily in Miss Maggie's hornbeam tree. They didn't seem to belong on the islands. And sometimes I felt like I didn't, either. But we were islanders, nonetheless, no matter what anyone else might think. Osh called me other animal names from time to time. Cub. Kit. Mule when I was stubborn. Wren when I was good. Now and then, he called me a mooncusser, too, because I liked to scour the shore at night for whatever the tide had brought in, but I did not lure the ships that wrecked off Cuttyhunk, and I was no thief afraid of being moonlit as I searched for lost treasure. I had never cussed the moon. But for the most part, we didn't rely on names. If we were apart, we were far apart, beyond calling. If we were together, we talked the way people talk when there's no one else. Names didn't matter much.   Chapter 2 Osh had built our cottage from whatever he could wrestle off the nearest shipwrecks that were slowly settling into the seabed, breaking up in storms, and otherwise disappearing, bit by bit. The rest of the house was flotsam that had come to him, floating in on the tide, as I had, sometimes into our own little cove, sometimes on Cuttyhunk, where no one else wanted it. He'd built the frame from long beams, the roof and walls from decking, the chimney from a vent pipe off a lost steamer, one window from a porthole. Our door was a piece of keel. Our hearth, a hatch lid. Our table a crow's nest turned upside down. Osh had salvaged, too, many things that had no purpose but to be dear to us. The finest of these, two figureheads--solemn women with long, flowing hair--stared at us from either side of our fireplace, never blinking. And a pair of sun-white whale ribs arched over our doorway, a tarnished ship's bell hanging from their pinnacle. And I'd found my share of baubles while searching the wrack line. Bits of sea glass among the mermaids' purses and limpet shells. A brass money clip with an elephant pressed into its face, all of it a crusty green. A banjo clock that would never again keep time but had a tiny cupboard where I kept the other trinkets I'd found. Another thing I had in common with crows: our habit of prizing the poorest of riches. When I asked him what he'd done with the skiff that had brought me ashore, Osh told me he'd busted it up for firewood and burned it to keep me warm that first winter. For a long time, before I knew better, I wondered why that--of all the wood he'd salvaged--had ended up in the fire rather than our home. With the money he made from lobstering and cutting ice out of Wash Pond and selling his paintings to the summer people, Osh had bought nails, a hammer, and whatever else he lacked. He dug clay from the sound side of Cuttyhunk, sailed it around to our cove, and mixed it with wood ash and salt to make the chinking that sealed the cottage against draft and hard rain. And he did everything else he could to make it strong and snug. When I was old enough, I helped him keep it that way. But even as we worked together on this home we'd made, I could not stop thinking about who had made me . Who had looked at me, soft and fresh as a blossom, and decided to give me to the tide. And why. I carried those questions around with me like a sack that got heavier as the years went by, even though I had become accustomed to the idea of it. Even though I was not unhappy with the life I had. I just wanted to know. To understand. To put that sack down.   Some things I knew through and through. Osh had told me many times--so often that it had become like a bedtime story--how he'd found me in an old skiff that had beached itself on the wrack line overnight. Had he not found me when he had, the incoming tide would have taken me back out again, to somewhere else. But he had wanted fish for his breakfast and had gone out to cast for a striper or two. The skiff was barely seaworthy, but it had survived the trip to the island, even through the wild currents that wrecked much bigger boats. What Osh expected to see when he came up to the little skiff I don't know, but it could not have been a new baby, lashed to the bench with strips of dirty linen, inches above the water that had seeped into the hull. Osh told me how I stopped cawing and lay silent as a mouse when a hawk-shadow comes--I blinking up at him and he down at me--that morning when we first met. He lived alone in a place that was difficult even for a grown man, but he took me in first before deciding what else to do with me. And I stayed. He often told me how hard it was in those first days after I arrived. How he had traded lobsters for milk at the Cuttyhunk grocery, poured it in a little flask, and fashioned a nipple from a clam neck made to squirt seawater. I sucked salty milk from it, as if from the sea itself. He swaddled me in wind-softened sailcloth, washed me in a smooth sink in the rocks where rainwater collected. Tucked me up alongside him at night so we slept as one. By the time Miss Maggie and the others found out about me, Osh had decided that I was his until someone else could prove otherwise. Miss Maggie had tried for a while. Not, she said, to take me away. Only, she said, to make sure no one was searching for me. Perhaps, she said, my mother hadn't been the one to send me to sea. Perhaps, she said, my mother was pacing the shores across Buzzards Bay, her breasts swollen with milk. So Miss Maggie bullied the postmaster until he sent word on his telegraph machine to ports from Narragansett to Chilmark, asking if anyone was looking for a newborn like me. And she wrote letters, too, and sent them to places too small for a telegraph machine. From some, she got no answer: Onset; Mattapoisett; even Penikese, though it was the closest. And none of those who did respond knew of a missing baby. But it didn't really matter. By the time the replies made their way into Miss Maggie's hands, I'd already become Osh's. And he had become mine.   It was a mystery why the skiff had washed up on our little island and not on Cuttyhunk where most treasure and flotsam came to rest. But I was glad that it had. I couldn't imagine that any of the other islanders would have fostered me had I drifted up on their piece of land. I thought it far more likely that they would have sent me off to the mainland, to some place without so much sea and sky. And that would have been a shame. Osh and I were surrounded by a wild world. And I preferred it that way. Still, there were a few people on Cuttyhunk I liked well enough. And they seemed to like me in their odd way. But they never touched me. Never came close. Seemed content to know me from a distance. Which had been true from the very start--all I'd ever known from them--so I didn't question it much until I was older and began to pull on the loose threads in my life. When I did that and everything began to unravel, a seam opened up and let in some light, which helped me see my life more clearly, but it also made me want to close my eyes, sometimes, instead. Excerpted from Beyond the Bright Sea by Lauren Wolk All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reviews provided by Syndetics

Publishers Weekly Review

Several central characters populate Wolk's New England coming-of-age novel. The protagonist, Crow, at 12, has begun asking questions about her past as an abandoned baby-questions that neither her taciturn foster father, Osh, nor their matter-of-fact neighbor Miss Maggie are equipped to answer. As the story unfolds, the three characters venture forth from their tiny island off Cape Cod to discover the truth about Crow's lost family, encountering unexpected dangers along the way. Marie is a sensitive narrator whose characterizations are unique and often power- ful. She excels at playing Osh, who speaks little but communicates much, ensuring his deep love for Crow shines through in his brief and sometimes stern dialogue. Marie also provides interesting performances for the loyal Miss Maggie and several island residents, as well as for the villain of the piece: a cold-blooded treasure hunter who is determined to unearth the secrets of Crow's past before she does. Marie handles the challenge of three leading characters with ease, keeping listeners captivated throughout. Ages 10-up. A Dutton hardcover. (May) © Copyright PWxyz, LLC. All rights reserved.

School Library Journal Review

Gr 5-8-Twelve-year-old Crow is an islander through and through. She knows how to harvest mussels and lobsters, how to navigate a skiff through choppy water, and how to coax garden vegetables from rocky, sandy soil. But Crow is also full of questions, and none of them have simple answers. Why was she abandoned as a newborn, sent to sea alone in a small boat? Where did she come from, and why did she wash up on the shores of Cuttyhunk Island? Who were her parents, and where are they today? When Crow investigates a fire burning on a nearby deserted island, she sets off a chain of events that begins an incredible, and at times dangerous, journey of uncovering answers to her heart's deepest questions. Jorjeana Marie's gentle yet expressive narration perfectly captures Crow's determination as she patches together her personal history. Her subtle vocal shifts ensure listeners always know which character is speaking, and her excellent pacing moves the story swiftly along. VERDICT Fans of Wolk's Wolf Hollow will not be disappointed by this historical fiction tale. Listeners will root for Crow as she discovers that sometimes true happiness and contentment comes from being where and who we want to be.-Anne Bozievich, Friendship Elementary School, Glen Rock, PA © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Booklist Review

*Starred Review* Crow was a mere baby when she drifted to the shore of one of the Elizabeth Islands off the coast of Massachusetts in the first quarter of the twentieth century. She has since grown up with the painter Osh as her stand-in father; their only other friend is Maggie, who teaches Crow. Nearby Penikese Island was home to a leper colony at the time of Crow's birth, and most of the island folk assume her birth parents were lepers and shun her. Now a 12-year-old and uncertain of her parentage, Crow becomes increasingly curious following a fire on the now supposedly vacant Penikese. Where did she really come from? What happened to her parents, and is there a chance she has any surviving blood relatives? Crow's quest for answers as she grapples with her uncertain identity shapes the 2017 Newbery Honor Book author's sophomore novel. While this quiet, affecting story lacks the palpable sense of dread and superb pacing that made Wolf Hollow (2016) so impossible to put down, there's still plenty to admire in this more classic-feeling historical novel, which calls to mind Natalie Babbitt's The Eyes of the Amaryllis (1977). Wolk has a keen sense for the seaside landscape, skillfully mining the terror the ocean can unleash as a furious nor'easter heightens tension in the novel's climax. Historical fiction fans awaiting her follow-up will be pleased.--Barnes, Jennifer Copyright 2010 Booklist

Horn Book Review

Crow lives on a tiny island in the Elizabeth Islands off Cape Cod with her adoptive father, Osh. He and Miss Maggie, who lives on nearby Cuttyhunk, are her only companions, as other locals shun her. But Crow wasnt born on Oshs island; she washed ashore there twelve years earlier in 1913, a newborn baby alone in a skiff. She has always wondered about her origins, but not until she sees a fire ablaze on Penikese, an uninhabited island that once housed a leper colony, does an overwhelming tide of curiosity about her origins rise within her. Who were her birth parents? Why did they send her away? Were they lepers? What did they name her? She doesnt expect her questions to lead her and those she loves into the fearful danger that ensues. Wolk writes of her characters with the same precise, poetic nuance with which she describes Crows beloved island and the lyrics of the sea. Here, place forms character, just as human relationships do, and while Crows adventures are a dramatic mix of buried treasure, deadly storms, and murderous pursuit, the heart of this story is the precisely observed, quietly realized evocation of clamming and lobstering and gardening; of the love and self-knowledge that come through mutual care. This is an exceptional mix of historical fiction, physical adventure, and interiority, a novel in which suspense, insight, and the natural world play equal, vital parts. An authors note provides more information about the history of these Massachusetts islands and the 1905-1921 Penikese leper hospital. deirdre f. baker (c) Copyright 2017. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus Book Review

This book will make people want to run away to the Elizabeth Islands.It's the 1920s. Crow and her adoptive father, Osh, live in a tiny house on a tiny island off Cape Cod, but her descriptions make it seem strange and mysterious. The cottage is "built from bits of lost ships," and it's full of found treasures: "a pair of sun-white whale ribs arched over our doorway, a tarnished ship's bell hanging from their pinnacle." Every chapter in the book has a new mystery to be solved: why was Crow sent away in an old boat when she was a baby? Why is a fire burning on an abandoned island? Did Capt. Kidd really hide treasure nearby? But some readers will love Wolk's use of language even more than the puzzles. Crow says her skin is "the same color Osh [makes] by mixing purple and yellow, blue and orange, red and green." (The race of the characters isn't always identified, but Osh says, "I came a long, long way to be here," and his native language and accent make him sound "different from everyone else.") The pacing of the book isn't always as suspenseful as it should be. There are a few lulls, which the author tries to fill with heavy foreshadowing. But the mysteriesand the words that describe themare compelling enough to send readers to the islands for years to come. A beautiful, evocative sophomore effort from Newbery honoree Wolk (Wolf Hollow, 2016). (Historical fiction. 9-13) Copyright Kirkus Reviews, used with permission.