Montana Sky

Enhanced descriptions from Syndetics:

When Jack Mercy dies, he leaves behind a ranch worth twenty million dollars. Now his three daughters - each born of a different mother, and each unknown to the others - have gathered to hear the reading of the will. But Jack has one last surprise for them. Before anyone can inherit, they must live together on the ranch for one year.

For Tess, a sophisticated city-girl who just wants to collect her cash and get back to LA, it's a nightmare. For Lily, on the run from her abusive ex-husband, it's a refuge. And for Willa - who grew up on the ranch - it's an infuriating intrusion.

They are sisters ... and strangers. But when a brutal enemy threatens to destroy them all they must face the impossible challenge: to put their bitterness aside and live like a family.

Excerpt provided by Syndetics

One Being dead didn't make Jack Mercy less of a son of a bitch. One week of dead didn't offset sixty-eight years of living mean. Plenty of the people gathered by his grave would be happy to say so. The fact was, funeral or no funeral, Bethanne Mosebly muttered those sentiments into her husband's ear as they stood in the high grass of the cemetery. She was there only out of affection for young Willa, and she had bent her husband's tired ear with that information as well all the way up from Ennis. As a man who had listened to his wife's chatter for forty-six years, Bob Mosebly simply grunted, tuning her and the preacher's droning voice out. Not that Bob had fond memories of Jack. He'd hated the old bastard, as did most every living soul in the state of Montana. But dead was dead, Bob mused, and they had sure come out in droves to send the fucker on his way to hell. This peaceful corner of Mercy Ranch, set in the shadows of the Big Belt Mountains, near the banks of the Missouri, was crowded now with ranchers and cowboys, merchants and politicians. Here where cattle grazed the hills and horses danced in sunny pastures, generations of Mercys were buried under the billowing grass. Jack was the latest. He'd ordered the glossy chestnut coffin himself, had it custom-made and inscribed in gold with the linked Ms that made up the ranch's brand. The box was lined with white satin, and Jack was inside it now, wearing his best snakeskin boots, his oldest and most favored Stetson, and holding his bullwhip. Jack had vowed to die the way he had lived. In nose-thumbing style. Word was, Willa had already ordered the headstone, according to her father's instructions. It would be white marble-no ordinary granite for Jackson Mercy-and the sentiments inscribed on it were his own: Here lies Jack Mercy He lived as he wanted, died the same way. The hell with anybody who didn't like it. The monument would be raised once the ground had settled, to join all the others that tipped and dotted the stony ground, from Jack Mercy's great-grandfather, Jebidiah Mercy, who had roamed the mountains and claimed the land, to the last of Jack's three wives-and the only one who'd died before he could divorce her. Wasn't it interesting, Bob mused, that each of Mercy's wives had presented him with a daughter when he'd been hell-bent on having a son? Bob liked to think of it as God's little joke on a man who had stepped on backs-and hearts-to get what he wanted in every other area of his life. He remembered each of Jack's wives well enough, though none of them had lasted long. Lookers every one, he thought now, and the girls they'd birthed weren't hard on the eyes either. Bethanne had been burning up the phone lines ever since word came along that Mercy's two oldest daughters were flying in for the funeral. Neither of them had set foot on Mercy land since before they could walk. And they wouldn't have been welcome. Only Willa had stayed. There'd been little Mercy could do about that, seeing as how her mother had died almost before the child had been weaned. Without any relations to dump the girl on, he'd passed the baby along to his housekeeper, and Bess had raised the girl as best she could. Each of the women had a touch of Jack in her, Bob noted, scanning them from under the brim of his hat. The dark hair, the sharp chin. You could tell they were sisters, all right, even though they'd never set eyes on each other before. Time would tell how they would deal together, and time would tell if Willa had enough of Jack Mercy in her to run a ranch of twenty-five thousand acres. She was thinking of the ranch, and the work that needed to be done. The morning was bright and clear, with the hills sporting color so bold and beautiful it almost hurt the eyes. The mountains and valley might have been painted fancy for fall, but the chinook wind had come in hot and dry and thick. Early October was warm enough for shirtsleeves, but that could change tomorrow. There'd already been snow in the high country, and she could see it, dribbling along the black and gray peaks, slyly coating the forests. Cattle needed to be rounded up, fences needed to be checked, repaired, checked again. Winter wheat had to be planted. It was up to her now. It was all up to her. Jack Mercy was no longer Mercy Ranch, Willa reminded herself. She was. She listened to the preacher speak of everlasting life, of forgiveness and the welcome of heaven. And thought that Jack Mercy would spit on anyone's welcome into a place other than his own. Montana had been his, this wide country of mountain and meadow, of eagle and wolf. Her father would be as miserable in heaven as he would in hell. Her face remained calm as the fancy coffin was lowered into the newest scar in the earth. Her skin was pale gold, a legacy from her mother and her Blackfoot blood as much as the sun. Her eyes, nearly as black as the hair she'd hurriedly twisted into a braid for the funeral, remained fixed on the box that held her father's body. She hadn't worn a hat, and the sun beamed like fire into her eyes. But she didn't let them tear. She had a proud face, high cheekbones, a wide, haughty mouth, dark, exotic eyes with heavy lids and thick lashes. She'd broken her nose falling off an angry wild mustang when she was eight. Willa liked to think the slight left turn it took in the center of her face added character. Character meant a great deal more to Willa Mercy than beauty. Men didn't respect beauty, she knew. They used it. She stood very still, the wind picking up strands from her braid and teasing them into a dance. A woman of average height and tough, rangy build in an ill-fitting black dress and dainty black heels that had never been out of their box before that morning. A woman of twenty-four with work on her mind, and a raging, tearing grief in her heart. She had, despite everything, loved Jack Mercy. And she said nothing, not one word, to the two women, the strangers who shared her blood and had come to see their father buried. For a moment, just one moment, she let her gaze shift, let it rest on the grave of Mary Wolfchild Mercy. The mother she couldn't remember was buried under a soft mound of wildflowers that bloomed like jewels in the autumn sun. Adam's doing, she thought, and looked up and into the eyes of her half brother. He would know as no one else could that she had tears in her heart she could never let free. When Adam took her hand, Willa linked fingers with his. In her mind, and heart, he was all the family she had now. "He lived the life that satisfied him," Adam murmured. His voice was quiet, peaceful. If they had been alone Willa could have turned, rested her head on his shoulder, and found comfort. "Yes, he did. And now it's done." Adam glanced over at the two women, Jack Mercy's daughters, and thought something else was just beginning. "You have to speak with them, Willa." "They're sleeping in my house, eating my food." Deliberately she looked back at her father's grave. "That's enough." "They're your blood." "No, Adam, you're my blood. They're nothing to me." She turned away from him and braced herself to receive the condolences. Neighbors brought food for death. There was no stopping the bone-deep tradition, any more than Willa could have stopped Bess from cooking for three days straight to provide for what the housekeeper called the bereavement supper. And that was a double pile of horseshit in Willa's mind. There was no bereavement here. Curiosity, certainly. Many of the people who packed into the main house had been invited before. More, many more, had not. His death provided them entry, and they enjoyed it. The main house was a showplace, Jack Mercy style. Once a cabin of log and mud had stood there, but that had been more than a hundred years before. Now there was a sprawling, rambling structure of stone and wood, of glistening glass. Rugs from all over the world spread over floors of gleaming pine or polished tile. Jack Mercy had liked to collect. When he'd become master of Mercy Ranch he had spent five years turning what had been a lovely home into his personal palace. Rich lived rich, he liked to say. So he had. Collecting paintings and sculpture, adding rooms where the art could be displayed. The entrance was a towering atrium, floored with tiles in jewel tones of sapphire and ruby in a repeating pattern of the Mercy Ranch brand. The staircase that swept to the second floor was polished oak, shiny as glass, with a newel post carved in the shape of a howling wolf. People gathered there now, many of them goggling over it as they balanced their plates. Others crowded into the living room with its acre of slick floor and wide curve of sofa in cream-colored leather. On the smooth river rock of the wall-spanning fireplace hung a life-size painting of Jack Mercy astride a black stallion. His head was cocked, his hat tipped back, a bullwhip curled in one hand. Many felt that those hard blue eyes damned them as they sat drinking his whiskey and toasting his death. For Lily Mercy, the second daughter Jack had conceived and discarded, it was terrifying. The house, the people, the noise. The room the housekeeper had given her the day before when she'd arrived was so beautiful. So quiet, she thought now as she moved closer to the rail of the side porch. The lovely bed, the pretty golden wood against the silky wallpaper. The solitude. She wanted that now, so very much, as she looked out toward the mountains. Such mountains, she thought. So high, so rough. Nothing at all like the pretty little hills of her home in Virginia. And all the sky, the shuddering and endless blue of it curving down to more land than could possibly exist. The plains, that wild roll of them, and the wind that seemed never to stop. And the colors, the golds and russets, the scarlets and bronzes of both hill and plain exploding with autumn. And this valley, where the ranch spread in a spot of such impossible strength and beauty. She'd seen deer out the window that morning, drinking from a stream that glowed silver in the dawn. She'd heard horses, the voices of men, the crow of a rooster, and what she thought-hoped-might have been an eagle's cry. She wondered whether, if she found the courage to walk into the forest that danced up those foothills, she would see the moose, the elk, the fox that she had read about so greedily on the flight west. She wondered if she would be allowed to stay even another day-and where she would go, what she would do, if she was asked to leave. She couldn't go back east, not yet. Self-consciously she fingered the yellowing bruise she'd tried to hide with makeup and sunglasses. Jesse had found her. She'd been so careful, but he'd found her, and the court orders hadn't stopped his fists. They never had. Divorce hadn't stopped him, all the moving and the running hadn't stopped him. But here, she thought, maybe here, thousands of miles away, in a country so huge, she could finally start again. Without fear. The letter from the attorney informing her of Jack Mercy's death and requesting her to travel to Montana had been like a gift from God. Though her expenses had been paid, Lily had cashed in the first-class airfare and booked zigzagging flights across the country under three different names. She wanted desperately to believe Jesse Cooke couldn't find her here. She was so tired of running, of being afraid. She wondered if she could move to Billings or Helena and find a job. Any job. She wasn't without some skills. There was her teaching degree, and she knew how to use a keyboard. Maybe she could find a small apartment of her own, even just a room to start until she got on her feet again. She could live here, she thought, staring out at the vast and terrifying and glorious space. Maybe she even belonged here. She jumped when a hand touched her arm, barely stifled the scream as her heart leaped like a rabbit into her throat. Not Jesse, she realized, feeling the fool. The man beside her was dark, where Jesse was blond. This man had bronzed skin and hair that streamed to his shoulders. Kind eyes, dark, very dark, in a face as beautiful as a painting. But then Jesse was beautiful, too. She knew how cruel beauty could be. "I'm sorry." Adam's voice was as soothing as it would have been if he'd frightened a puppy or a sick foal. "I didn't mean to startle you. Iced tea." He took her hand, noting the way it trembled, and wrapped it around the glass. "It's a dry day." "Thank you. I didn't hear you come up behind me." In a habit she wasn't even aware of, Lily took a step aside, putting distance between them. Running room. "I was just . . . looking. It's so beautiful here." "Yes, it is." She sipped, cooling her dry throat, and ordered herself to be calm and polite. People asked fewer questions when you were calm. "Do you live nearby?" "Very." He smiled, stepped closer to the rail, and gestured east. He liked her voice, the slow, warm southern flavor of it. "The little white house on the other side of the horse barn." "Yes, I saw it. You have blue shutters and a garden, and there was a little black dog sleeping in the yard." Lily remembered how homey it had looked, how much more welcoming than the grand house. "That's Beans." Adam smiled again. "The dog. He has a fondness for refried beans. I'm Adam Wolfchild, Willa's brother." "Oh." She studied the hand he offered for a moment, then ordered herself to take it. She could see the points of resemblance now, the high, slashing cheekbones, the eyes. "I didn't realize she had a-That would make us . . ." "No." Her hand seemed very fragile, and he let it go gently. "You shared a father. Willa and I shared a mother." "I see." And realizing that she'd given very little thought to the man they'd buried today, she felt ashamed. "Were you close, to him . . . your stepfather?" Excerpted from Montana Sky by Nora Roberts All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reviews provided by Syndetics

Library Journal Review

Three half-sisters come together at their late father's ranch in Montana. The terms of his will dictate that all three women must live together at the ranch for one year. If not, his enormous estate will be given to charity. Willa has lived all her life on the ranch and feels anger and resentment at her father's decision. Tess is a glamorous Hollywood screenwriter. She merely wants the cash and a quick escape from the desolate countryside. Lily, trying to hide from an abusive ex-husband, is only too happy to have the opportunity to stay in one place. Their evolving relationships with each other make up the heart of the story. It wouldn't be a Roberts novel if during their year of forced togetherness each sister didn't become romantically involved with tall, handsome cowboys. All six of the major characters are wonderfully written, with just the right touch of genuineness, warmth, and distinctiveness to make readers emotionally invest in their stories. Highly recommended for all libraries.-Margaret Hanes, Sterling Hts. P.L., Mich. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Review

Having published 100 novels in 15 years, Roberts (True Betrayals) just keeps getting better. In life, Jack Mercy, owner of the 25,000-acre Mercy Ranch, garnered more enemies than friends. His death promises to do the same, since his will forces his three grown daughters, half-sisters and virtual strangers to one another, to live together at the Montana ranch for a year or forfeit his estate, worth up to $20 million. If any die during the year, the survivor(s) will inherit the fortune, assuming they last the 12 months. Giving it a go are bossy Willa, part Blackfoot Indian, the only sister who lived on the ranch and is capable of running it; Tess, a sassy Hollywood scriptwriter who wants money but balks at a family reunion; and meek, divorced Lily, grateful for refuge. As the siblings settle in, someone begins committing barbaric acts against animals and then humans: Are these the random crimes of a psychopath? Or are they a devious distraction in a sinister game plan? Roberts balances the tension and sometimes gruesome action with three romances, crackling dialogue and a snappy infusion of humor. Setting her rich narrative against majestic scenery integral to the plot, she again demonstrates why, in 1986, she was the first author inducted into the Romance Writers of America's Hall of Fame. 150,000 first printing; $200,000 ad/promo; Literary Guild featured alternate; author tour. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved

Booklist Review

Best-selling romance writer Nora Roberts is in her element here, spinning a meandering, epic tale of love, lust, and overpowering passions. When millionaire Montana rancher Jack Mercy died, he left behind a ranch worth nearly $20 million, several enemies, and three daughters, each from a different marriage (and unknown to each other). Willa, the bold, rash cowgirl daughter, fully expects to inherit everything; Tess, the snooty Californian, is a gold digger and proud of it; and Lily, the timid, abused, and shy sister, just wants someplace to stay. However, the terms of Mercy's will dictate that before any of them can take a share in Mercy Ranch, all three must live together for a year. Of course, sparks fly and claws are bared as the women spar continuously, fall in love with a couple of burly ranch hands, capture a psychotic murderer who is killing people around the ranch, and ultimately realize their true sisterly feelings for each other. Despite the occasional depictions of mutilated people and animals that are sprinkled throughout the story, Roberts' fans will no doubt enjoy this work. (Reviewed January 1 & 15, 1996)0399141227Kathleen Hughes

Kirkus Book Review

Three bridegrooms for three sisters: Roberts (True Betrayals, 1995, etc.) stylishly moseys into Big Sky romance. Jack Mercy was a mean ``son of a bitch'' when he was alive, and as a corpse, buried with his Stetson and his bullwhip, he's not much better. According to his will, his three daughters, who've never met and whom Jack had by three different wives, must live together for a year at his big Montana ranch house in order to win their inheritance. During the long winter, the women bicker and bond and get entangled with three sexy, strapping fellows. Roberts has always been a winner at sexual tension and sexy dialogue, and so the reader gets to see not one but three couples get past the preliminaries and into the sack. The youngest sister, cowgirl Willa, manager of the Mercy ranch and daughter of an Ute mother, matches wits and strong wills with Ben McKinnon, lusty part owner of the Three Rocks spread. Lily, from Virginia, is a delicate, bird-boned creature who's been battered by her husband, but is now taken under the wing of Adam Wolfchild, Willa's Indian half- brother. And, finally, Tess, a sharp-dressing, wisecracking screenwriter from Hollywood who couldn't wait to get back to Rodeo Drive, stays to marry Nate, a frontier lawyer who raises horses, graduated from Yale, and loves Keats. Providing the usual Roberts suspense is a serial killer who guts and scalps his victims--not only humans but (in the newest romance-novel manifestation of evil) calves, cats, skunks and deer. (``Why would anyone do that to Bambi's mom?'' wails Tess.) Roberts also includes a genuine, successful red herring, virgin territory for most romance writers, and incorporates all the important rituals of the genre with her customary skill and humor. A good read on a long winter's night. (First printing of 150,000; Literary Guild featured alternate; $200,000 ad/promo; author tour)