A week in December
Material type:
- 9780099458289
- F/FAU
Item type | Current library | Call number | Status | Date due | Barcode | Item holds | |
---|---|---|---|---|---|---|---|
![]() |
Colombo | F/FAU |
Available
Order online |
CA00006364 | |||
![]() |
Kandy | F/FAU |
Available
Order online |
KB102539 |
Enhanced descriptions from Syndetics:
**NUMBER ONE BESTSELLER**
London, the week before Christmas, 2007.
Seven wintry days to track the lives of seven characters: a hedge fund manager trying to bring off the biggest trade of his career; a professional footballer recently arrived from Poland; a young lawyer with little work and too much time to speculate; a student who has been led astray by Islamist theory; a hack book-reviewer; a schoolboy hooked on skunk and reality TV; and a Tube driver whose Circle Line train joins these and countless other lives together in a daily loop.
With daring skill, the novel pieces together the complex patterns and crossings of modern urban life, and the group is forced, one by one, to confront the true nature of the world they inhabit. Sweeping, satirical, Dickensian in scope, A Week in December is a thrilling state of the nation novel from a master of literary fiction.
£8.99
Excerpt provided by Syndetics
Reviews provided by Syndetics
Library Journal Review
The varied lives of a multitude of Londoners intersect during a single week in December 2007. Jenni, an underground tube driver and avid player of an alternative universe game, meets Gabriel, a barrister assigned to take her deposition following a subway suicide. Hedge fund manager John Veals has no time for his family and looks to make yet another financial killing by taking over a troubled bank. Shahla, a lovely French literature scholar, is in love with the sincere but emotionally distant Hassan, an active member of a radical Muslim youth group. Hassan's entrepreneurial immigrant father, Farooq al-Rashid, is about to be appointed by the Queen to the Order of the British Empire. Radley, a bored and caddish teacher, meets Jenni's online avatar. Faulks's best depiction, however, is a send-up of condescending book reviewers in the person of the snooty R. Tranter. Much time is spent getting to know all these people on the road to a converging climax. Verdict Distinctive characters and plotted coincidences worthy of Dickens are married to the excitement of a modern thriller. Faulks's latest novel should match the success of previous works like Birdsong and Human Traces.-Sheila Riley, Smithsonian Institution Libs., Washington, DC (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.Booklist Review
In London, three weeks before Christmas 2007, the lives of several characters intersect and intercut each other. With savage accuracy, the story skewers (and explains) the banking industry and the subprime mortgage crisis while also touching on the evils of Islamic fundamentalism, the British school system, reality TV, role-playing computer games, and critics who delight in giving bad book reviews (a character perhaps added to ensure good book reviews?). Although the financial explanations are much appreciated, they do slow down the plot, as does the rather stereotypical exploration of why a Scottish-bred Muslim would become a fundamentalist terrorist. As in real life, a concept most of the characters have abandoned, Faulks' best plotlines are those that involve relationships between people.--Block, Marta Segal Copyright 2010 BooklistKirkus Book Review
Two plotsone financial, the other terroristare being hatched, but there's much more going on in this absorbing big-canvas view of contemporary London from Faulks (Engleby, 2007, etc.). John Veals, a middle-aged hedge fund manager and the coldest of cold fish, is planning the collapse of a major British bank. His goal? To pump even more billions of dollars into his fund. Hassan al-Rashid, a young Muslim raised in Scotland, belongs to a jihadist cell. By chance, their schemes will climax simultaneously in December 2007. Faulks uses the tried-and-true countdown device as a backbeat. In the foreground is lucid if rather too lengthy exposition. To explain Veals's strategy, Faulks leads us through the labyrinth of puts, calls, trades and more, while for Hassan he limns a credible step-by-step recruitment process. As a counterweight to the blandishments of the Koran, Faulks offers the reader the rational humanism of Gabriel Northwood, an impoverished barrister; the strident voice of the Koran reminds Gabriel uncomfortably of the voices plaguing his schizophrenic brother Adam. Gabriel's somber hospital visits are a corrective to a shockingly cruel, hugely lucrative reality show that pillories the participants, all crazies. (Veals's teenage son, a fan of the show, will join Adam after a drug-induced psychotic episode.) The light in Gabriel's sad life is a new client, Jenni Fortune, the mixed-race driver of a subway train and devotee of video games. Unlike digital seductions (another Faulks theme), the love that grows between Gabriel and Jenni is piercingly real. For light relief, there's Hassan's wealthy businessman father, panicked before an audience with the Queen, soliciting advice on Great Books from an embittered reviewer, a veteran of the literary racket. Remarkably, Faulks retains control of his material as he shows us a world in which money rules, tunnel vision destroys and love remains the touchstone and redeemer. With its inexhaustible curiosity about the way the world works, this funny, exciting work is another milestone in a distinguished career. Copyright Kirkus Reviews, used with permission.There are no comments on this title.