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Crime Fiction: From Poe to the Present "Priestman, Martin"

By: Material type: TextTextSeries: ; Writers and Their WorkPublication details: United Kingdom Northcote House Publishers Ltd 30/12/2012Edition: 2nd editionDescription: 120 PaperbackISBN:
  • 9780746312179
Subject(s): DDC classification:
  • 809.933556 MAR
Contents:
"Literary studies: fiction, novelists & prose writers"
Summary: "A historical and critical introduction to the genre of crime fiction, this book concentrates chiefly on three branches of crime stories: the classic detective 'whodunit', the thriller in which the protagonist is opposed either to a powerful conspiracy or to society at large, and the hardboiled private-eye story, or detective thriller, which mixes aspects of the other two."
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Enhanced descriptions from Syndetics:

Since Edgar Allan Poe's The Murders in the Rue Morgue inaugurated the detective whodunnit in 1841, narratives following the same basic structure have continued to flood the fiction market. This book examines why this form has proved so tenacious, and plots a course through the thousands of crime novels and stories which have appeared since then. Noting differences of form between pure whodunnits concerned with a past crime, and thrillers where we focus on a present action, the book maps such variants onto a series of historical changes, chiefly in Britain and the USA but with some consideration of French and Scandinavian fiction. As well as such classic detective writers as Collins, Doyle, Christie and Chandler, the book explores the Newgate Novel, spy fiction, the noir thriller, postwar police fiction, black and female private eyes, and the serial-killer mode which has swept the field since the 1980s. In this second edition a substantial new chapter has been added, and other chapters have been expanded to include significant new trends in the genre.

"Literary studies: fiction, novelists & prose writers"

"A historical and critical introduction to the genre of crime fiction, this book concentrates chiefly on three branches of crime stories: the classic detective 'whodunit', the thriller in which the protagonist is opposed either to a powerful conspiracy or to society at large, and the hardboiled private-eye story, or detective thriller, which mixes aspects of the other two."

"Postgraduate, Research & Scholarly"

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