The Year of the Runaways

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Shortlisted for the Man Booker Prize.

Sweeping between India and England, from childhood and the present day. Sunjeev Sahota's unforgettable novel about illegal immigrants is a story of dignity in the face of adversity. For fans of Rohinton Mistry's A Fine Balance.

' The Grapes of Wrath for the 21st century' - Washington Post

The Year of the Runaways tells of the bold dreams and daily struggles of an unlikely family thrown together by circumstance.

Thirteen young men live in a house in Sheffield, each in flight from India and in desperate search of a new life. Tarlochan, a former rickshaw driver, will say nothing about his past in Bihar. Avtar has a secret that binds him to protect the chaotic Randeep. Randeep, in turn, has a visa-wife in a flat on the other side of town: a clever, devout woman whose cupboards are full of her husband's clothes, in case the immigration men surprise her with a call.

'A writer who knows how to make you stay up late at night to learn what happens next . . . a brilliant and beautiful novel' - author of Home Fire, Kamila Shamsie, Guardian

Excerpt provided by Syndetics

Chapter 1 Arrivals Randeep Sanghera stood in front of the green-and-blue map tacked to the wall. The map had come with the flat, and though it was big and wrinkled, and cigarette butts had once stubbed black islands into the mid-Atlantic, he'd kept it, a reminder of the world outside. He was less sure about the flowers, guilty-looking things he'd spent too long choosing at the petrol station. Get rid of them, he decided, but then heard someone was parking up outside and the thought flew out of his head. He went down the narrow staircase, step by nervous step, straightening his cuffs, swallowing hard. He could see a shape through the mottled glass. When he opened the door Narinder Kaur stood before him, brightly etched against the night, coat unbuttoned despite the cold. So, even in England she wore a kesri. A domed deep-green one that matched her salwaar kameez. A flank of hair had come loose from under it and curled about her ear. He'd forgotten how large, how clever, her eyes were. Behind her, the taxi made a U-turn and retreated down the hill. Narinder brought her hands together underneath her chin--"Sat sri akal"--and Randeep nodded and took her suitcase and asked if she might follow him up the stairs. He set her luggage in the middle of the room and, straightening right back up, knocked his head against the bald light bulb, the wire flexing like a snake disturbed from its tree. She was standing at the window clutching her handbag with both hands. "It's very quiet," Randeep said. "It's very nice. Thank you." "You have been to Sheffield before?" "My first time. What's the area called again?" "Brightside," he said. She smiled, a little, and gazed around the room. She gestured towards the cooker. "We used to have one like that. Years ago." Randeep looked too: a white stand-alone thing with an overhanging grill pan. The stains on the hob hadn't shifted no matter how hard he'd scrubbed. "There is a microwave, too," he said, pointing to the microwave. "And washing machine. And toaster also, and kettle and sofa-set . . . carpet . . ." He trailed off, ridiculous to himself. "The heater works fine. It's included in the rent. I'm sorry there's no TV." "I'm used to it." She looked to the wall. "Nice map." "Oh. Thank you. I thought . . ." What did he think? "I want to visit every continent of the world." She smiled politely, as if he'd said he wanted to visit the moons of Jupiter. "It's one of my dreams." There were only two other rooms. The bathroom was tiny, and the pipes buffalo-groaned when he forced the taps. In the centre of the greenish tub the hand-held shower lay in a perfect coil of chrome, like an alien turd. "And this is your private room," he said, opening the second door. She didn't step inside. There wasn't much to see: a double bed, a rail for her clothes, a few wire coat hangers. Some globs of Blu-Tack on damp, loose wallpaper. There was a long, hinged mirror straight ahead which they found themselves staring into, him standing behind her. She didn't even reach his shoulders. It was cold and he noticed her nipples showing through her tunic. Frowning, she pulled her coat shut and he averted his eyes. "I'm sorry," he said. "It's too small. And dirty. I'll look for something else tomorrow." "It's fine. Honestly. Thank you for finding it for me." "Truly?" He exhaled relief. "There is a bus from the bottom of the hill that can take you into town." "And that hill will keep me in shape." "And this isn't an area with lots of apneh." Her lips parted, but she didn't speak. "Like you asked," he reminded her. "And the gurdwara's only a few stops away. In Burngreave. I can show you? If you like?" "We'll see," she said. "It's late. Can I call you tomorrow?" "Of course. But you should know that the flat downstairs is empty. So no disturbances." He smiled, pleased with himself. "Yes, this flat was a special find. Especially at this time of year, it is not easy. We were lucky." That "we" was problematic and knocked him off balance. "But I should go," he said hastily. He took up his red tracksuit top and zipped it to his chin, pushing the short sleeves up to his elbows. She walked him to the stairs, saying, "You should probably bring a few of your things and leave them here." He nearly blurted out that his suitcase was just outside, in the gennel. "I will bring some. But I will telephone you first." He wouldn't be one of those boys who turned up at a girl's house unannounced and unexpected. Then he remembered about the meter tokens. "The light." He pointed down the stairs. "There is a meter underneath. It takes the pink electric tokens. Not the white ones. The pink ones. There is a shop around the corner. The aunty there sells them." She looked confused. "Do I have to collect these tokens? Like vouchers?" "Collect them from the shop, yes. Only be careful you put the cards in straight. Would you like me to show you? The meter?" She'd never heard of electricity being pink, or white for that matter, but she was tired from the journey and said she really did just want to sleep. "But thanks for everything, Randeep." She used his name, without "ji" and to his face, which hurt him a little. But this was England. "No problem. And do not worry. You won't need any for a while yet. I put lots in before you came." She thanked him again, then--perhaps out of nerves, needing her fingers occupied--retightened her chunni over her turban and under her chin. It made her eyes look bigger, somehow. Randeep opened his wallet and held out some notes to her. "Next month's." He was looking away. He hated doing it like this. At least when she lived in London it had gone by post. She too seemed embarrassed to take it. He said goodbye. Halfway down the stairs he stopped, looked round. "I hope you don't mind, but is everything all right? You are not in any trouble?" "Oh, I just need to rest. I'll be fine tomorrow. Can I call you?" "Of course you may. Of course." He smiled, then went down the remaining steps and opened the door. He nodded a final goodbye. She leaned forward out of the doorway, arms folded. She looked un-certain. Randeep held his suitcase across his lap on the bus ride home. Of course she wasn't going to ask him to stay. It was stupid of him to have thought she might. If anything, he wondered now if she'd seemed eager for him to leave her alone. He spat coarsely into his hankie and worked out a bit of dirt on the brown leather of his case, which still gleamed, in spite of the coach to Delhi, the flight to London, and now three months spent wedged on the roof of that disgusting wardrobe. He got off right outside the house and saw the grey-blue light of the TV flickering behind the closed curtains. He'd hoped they'd be asleep by now. He went the long way round the block, stopping off at the Londis for some of those fizzy cola-bottle sweets. "You are leaving?" the singh asked. The suitcase. "I was helping a friend move only." The TV was still on when he got back. Randeep turned the key gradually, wincing at the loud final snap of the metal tongue, and went straight up to his room on the second floor. He sat there polishing his workboots with the toilet roll and after that he changed the blanket on his mattress, taking care with the corner-folds. Then he lay down, the darkness roomy around him, and with no real enthusiasm reached for the toilet roll once more. It was near midnight when the clanging of the gate woke him up. He hadn't meant to fall asleep afterwards and the scrunch of sticky toilet paper was still in his hand. Downstairs, he went through the beaded curtain and found Avtar gulping straight from the tap. The back of his uniform read crunchy fried chicken. Randeep stood in the doorway, weaving one of the long strings in and out of his fingers. There was a calendar of tropically naked blonde women on the wall by the fridge. Someone would have to get a new one soon. Avtar turned off the tap, though it continued to drip. "Where is everyone?" "Asleep." "Did someone do the milk run?" "Don't think so." Avtar groaned. "I can't do everything, yaar. Who's on the roti shift?" Randeep shrugged. "Not me." "I bet it's that new guy. Watch, they'll be bhanchod burnt again." Randeep nodded, sighed. Outside the window, the moon was full. There were no stars though, just an even pit of black, and if he altered the focus of his eyes, he saw his vague reflection. He wondered what his father would be doing. "Do you think Gurpreet's right? About what he said this morning?" "What did he say this morning?" "You were there." "I was asleep." "He said it's not work that makes us leave home and come here. It's love. Love for our families." Randeep turned to Avtar. "Do you think that's true?" "I think he's a sentimental creep. We come here for the same reason our people do anything. Duty. We're doing our duty. And it's shit." Randeep turned back to the window. "Maybe." "And I asked bhaji, by the way, but there's nothing right now." The job, Randeep remembered. He was relieved. He'd only mentioned it during a low moment, needing solidarity. One job was enough. He didn't know how Avtar managed two. "How'd the thing with the girl go?" "Nothing special," Randeep said. "Told you," and Avtar picked up his satchel from where it rested against the flour barrel. He took out his manila college folder and wriggled up onto the worktop. Randeep had learned by now that when Avtar didn't want to be disturbed he just ignored you until you went away. He let the beads fall through his hands and was turning to go when Avtar asked if it was true that Gurpreet hit him this morning in the bathroom queue. "It was nothing," Randeep said. "He's just jealous, you know." Randeep waited--for sympathy? for support?--but Avtar curled back down to his book, trying out the words under his breath, eyes glinting at the end of each line. Avtar's posture reminded Randeep of the trips he used to make between college and home, his own textbook open on his lap. In his room, he changed into his tracksuit bottoms, annoyed he'd forgotten to warm them against the oven, then slid inside the blanket. He knew he should try to sleep. Five hours and he'd have to be up again. But he felt restless, suddenly and inexplicably optimistic for the first time in months. Years? He got up and moved to the window and laid his forehead against the cool pane. She was somewhere on the other side of the city. Somewhere in that dark corner beyond the lights, beyond that pinkish blur he knew to be a nightclub called the Leadmill. He wondered if she'd noticed how he'd spent each evening after work scrubbing the doors and descal­ing the tiles and washing the carpet. Maybe she was thinking about all he'd done right now as she unpacked her clothes and hung them on the rail. Or maybe she'd decided to have a bath instead and was now watching TV, thick blue towels wrapped around her head and body the way British girls do. His forehead pressed harder against the glass. He was being ridiculous again. There was no TV, for one thing. But he couldn't lose the sense that this was a turning point in his life, that she'd been delivered to him for a reason. She'd called him in her hour of need, hadn't she? He wondered whether she'd found his note yet, the rose-scented card leaning inside the cupboard above the sink. He cringed and hoped she hadn't. At the time, in the petrol station, he'd convinced himself it was the sophisticated thing to do. Now, he exhaled a low groan and closed his eyes and forced himself to remember each carefully written word. Dear Narinderji, I sincerely hope you are well and are enjoying your new home. A beautiful flat for a beautiful person. And a new start for us both maybe. If I may be of any assistance please do not hesitate to make contact. I am at your service day and night. In the interim, may I be the first to wish you, in your new home, a very Happy New Year (2003). Respectfully yours, Randeep Sanghera. It was gone 2 a.m. and Avtar was still sitting up on the counter. He'd long set aside his college notes. His ankles were crossed and the heels of his trainers lightly tapped the cupboards. He could feel his eyes start to close, a shallow dark descending. He jolted himself upright. "Come on, come on," he said, half to himself, half to Bal, the guy he was waiting for. He checked his phone. He recounted the money. He had enough, had earned enough. Then his phone rang, too loud for that time of night. It was them. "So we come to yours?" "No, no. Keep to the gardens." He didn't want them knowing where he lived. He zipped up his jacket and sneaked out of the house and down onto Ecclesall Road, heading away from the city. The shabby restaurants were all closed, the pound shops shuttered. He liked this road in the day, a place of business and exchange, a road that seemed to carry on into the hills. Tonight, though, there was only a scrappy silence, and the city at his back, the countryside glowering ahead. He gripped the top of the zip between his lips, flicking it with the end of his tongue, and breathed out puffs of air that hung briefly in the cold. He turned up towards the Botanical Gardens and saw them sitting in their rich black BMW, faces flooded by the car's interior light. The engine was still gunning. Bal got out, the eldest of the three brothers, all long leather and shaped facial hair. The gold ring on his right hand was the size and shape of a fifty-pence piece. Avtar nodded, jogged to meet him. "Why so late? I have work soon." "True what they say, man. Fuckin' cold up north." "You were held up?" "By another one of you chumps. In Birmingham. He won't be do-ing that again." Excerpted from The Year of the Runaways by Sunjeev Sahota All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reviews provided by Syndetics

Library Journal Review

Set over the course of a year, Sahota's beautifully written story explores the nuances of immigration through the intertwined stories of three young Indian men and a British Indian woman. Avtar and Randeep are middle-class Indian boys who leave India to seek a better life in the UK. Randeep pays Narinder to be a visa wife so he can immigrate, while Avtar sells a kidney to raise the money to travel to England on a student visa. Once there, they live together with many other men in a dilapidated house in Sheffield. Both have financial responsibilities back in India but find it difficult to make enough money doing less than legal construction work. Tochi also lives in the house. He has lost everyone and came to England illegally. He is Chamar (an Untouchable caste) and has faced, and continues to face, overwhelming prejudice, violence, and poverty. The men share meager meals, desperate conditions, backbreaking work, and isolation. Narinder lives in a separate flat for the year Randeep needs before they can divorce. That's the plan, until it gets complicated. Sartaj Garewal's narration expertly captures the voices and emotions of these characters, enabling the listener to know their motivations, strengths and weaknesses, and hopes and fears, all of which are expressed vividly and poignantly. -VERDICT Short-listed for the Man Booker Prize, Sahota's lyrical, thought-provoking work explores an in-the-news topic. Highly recommended. ["A harrowing and moving drama of life on the edge": LJ 1/16 starred review of the Knopf hc.]-Judy Murray, Monroe Cty. Lib. Syst., MI © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Review

Garewal begins the audiobook of Sahota's Booker-shortlisted novel awkwardly; it sounds as if he's reading word by word rather than narrating the sentences. As soon as he gets into dialogue, however, he becomes livelier, and his narration takes on an easier, more conversational rhythm and tone. Three Indian men are thrown together in Sheffield, England, where they desperately try to survive and avoid getting deported. Finding jobs to make enough money to live and send to their distraught families is a nightmarish challenge. Tochi, a former rickshaw driver from a low caste, is badly scarred, physically and emotionally. Avtar, a middle-class Punjabi on a student visa, seeks only to sustain himself and his now-impoverished family. Randeep is a "visa husband" who has contracted for a one-year marriage to Narinda, a young woman who only wants to do good deeds despite the family conflicts this engenders. Garewal handles a variety of Indian accents quite handily. A Knopf hardcover. (Mar.) © Copyright PWxyz, LLC. All rights reserved.

Booklist Review

Half a dozen young men have left their homes in India to occupy a run-down flat in England, living and working under the radar. Avtar, who arrived via the auspices of a student visa, cannot afford to lose his documentation. Tochi, a member of the untouchable caste, fled a village massacre but traces of discrimination haunt his new life. Randeep struggles to grow more comfortable with his wife, their marriage arranged to secure visas. For each thread of this multilayered tale, Sahota enlivens the characters' plights with page-turning prose and poetic texture, whether the untranslated dialect tossed about in conversation, the fixings of home-roasted roti and mango pickle, or the exquisite details of butterflies or a woman's glinting, gold wedding nose ring. The novel's nearly 500 pages fly by, a testament to the interwoven narratives of Sahota's many characters, structured around the seasons of the year. Shortlisted for the 2015 Man Booker Prize, and similar in style and subject to works by Hanif Kureishi, Ru Freeman, and Laila Lalami, this is Sahota's first book to be published stateside.--Báez, Diego Copyright 2016 Booklist

Kirkus Book Review

The intertwined lives of four Indian immigrants in England reveal broad truths through heartbreaking details. It seems like a common enough premise at first: several young people from struggling families flee their native country to find a better lifeor better work, at least. But as Sahota (Ours Are the Streets, 2011) demonstrates in his rough-around-the-edges second novel, every immigrant story is wholly individual, no matter how familiar it feels. Weaving back and forth through chronologies and perspectives, he traces the origin stories of Randeep, Avtar, and Tochi as they make their ways from India to Sheffield, an industrial city in the north of England, in the early 2000s. Lonely Randeep must support his "visa wife," a religious Sikh and fellow immigrant named Narinder, who sought the role out of a sense of service, leaving an arranged engagement, a violent brother, and a disappointed father behind. When Randeep's sense of obligation toward her turns to affection, Narinder folds further inward until she meets fiery Tochi, who belongs to the destitute Dalit ("untouchable") caste. He squats in the apartment below hers, and they gradually connect through their shared alienation from the parts they're supposed to be playingbut it's an impossible pairing, of course. Piety and fury don't get happy endings. Neither does delicate Avtar, who winds up working a series of filthy, treacherous jobs despite his student visa. England is rarely kind to this quartet, thwarting their efforts at betterment with police raids, poverty, and other trials. Sahota peppers these scenes with a riot of minor characters that can be overwhelming, but his observations of our broken social system are razor-sharp. When the place you've left is burning and the one you're in doesn't want you, how do you find your way home? Copyright Kirkus Reviews, used with permission.