Say you're one of them

Enhanced descriptions from Syndetics:

Nothing interests Maman today, not even Jean, her favorite child ... She acts dumb, bewitched, like a goat that the neighborhood children have fed sorghum beer.'


These extraordinary stories centre on African conflicts as seen through the eyes of children and describes their resilience and endurance in heartbreaking detail. From child trafficking to inter-religious conflicts, Uwem Akpan reveals in beautiful prose the resilience and endurance of children faced with the harsh consequences of deprivation and terror.

Reviews provided by Syndetics

Library Journal Review

Already featured twice in The New Yorker, Nigerian (and Jesuit priest) Akpan here collects his stories of Africa's troubled children. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Review

This brilliant collection of short stories by Nigerian-born Akpan invites listeners into a world of beauty and heartbreak where young people in the throes of adolescence struggle to survive harrowing violence and tragedy. Miles and the remarkable Graham meet the prose with their own intensity and bring flourishes to the realistic, empathetic characters. Graham is a true stand-out: he inhabits each character fully, aces accents, and excels at conveying an understated melancholy. A thrilling work of art. A Little, Brown hardcover. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved

School Library Journal Review

Adult/High School-With the intensity of Chinua Achebe's Things Fall Apart, Say You're One of Them tells of the horrors faced by young people throughout Africa. Akpan uses five short stories (though at well over 100 pages, both "Luxurious Hearses" and "Fattening for Gabon" are nearly stand-alone novels in their own right) to bring to light topics ranging from selling children in Gabon to the Muslim vs. Christian battles in Ethiopia. The characters face choices that most American high school students will never have to-whether or not to prostitute oneself to provide money for one's homeless family, whether to save oneself, even if it means sacrificing a beloved sibling in the process. The selections are peppered with a mix of English, French, and a variety of African tongues, and some teens may find themselves reading at a slower pace than usual, but the impact of the stories is well worth the effort. The collection offers a multitude of learning opportunities and would be well suited for "Authors not born in the United States" reading and writing assignments. Teens looking for a more upbeat, but still powerful, story may prefer Bryce Courtenay's The Power of One (Random, 1989).-Sarah Krygier, Solano County Library, Fairfield, CA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Booklist Review

*Starred Review* With this heart-stopping collection, which includes the New Yorker piece,  An Ex-Mas Feast,  that marked Akpan as a breakout talent, the Nigerian-born Jesuit priest relentlessly personalizes the unstable social conditions of sub-Saharan Africa. Throughout, child narrators serve as intensifying prisms for horror, their vulnerability and slowly eroding innocence lending especially chilling dimensions to the volume's two most riveting entries: Fattening for Gabon (one of the book's three novellas), about the systematic grooming of a Benin 10-year-old and his sister for sale to a sex-slavery ring; and the collection's title story, a harrowing plunge into the mind of a mixed-race girl during the Rwandan genocide. From the slurp of machetes slashing into flesh  to a toddler's oblivious stomping through blood puddling from his mother's crushed skull, Akpan tackles grisly violence head-on, but most of the stories, with the exception of the overlong, metaphor-laden  Luxurious Hearses,  are lifted above consciousness-raising shockers by Akpan's sure characterizations, understated details, and culturally specific dialect. Don't expect to emerge with redemption delivered on a silver platter. The stories' tattered hope comes indirectly, from the thirst for broader knowledge about Africa's postcolonial conflicts they'll engender, and from the possibility that the collection's opening map, with the featured nations labeled (as helpful as it is a glaring symbol of most Western readers' woeful ignorance), will someday prove superfluous.--Mattson, Jennifer Copyright 2008 Booklist

Kirkus Book Review

Redemption is in short supply in these five stories by a Nigerian priest about children caught in the crossfire of various African countries' upheavals. The opener of this debut collection, "An Ex-mas Feast," is one of the more upbeat entries--which isn't saying much, since its eight-year-old narrator describes sniffing shoe glue to ward off hunger in a Nairobi shanty town while his 12-year-old sister proudly moves from street prostitution to a brothel. In "Fattening for Gabon," a morbid variation on Hansel and Gretel, an uncle literally fattens up his nephew and niece to sell them into slavery. Although he genuinely loves them, his repentance comes too late and with not-unexpected tragic results. The least arresting story is the slight and familiar "What Language Is That?" Their families profess liberal, inclusive attitudes, but a Christian child and her Muslim best friend are prohibited from communicating when rioting breaks out in Addis Ababa, although the girls do find, perhaps briefly, "a new language." That miniscule glimmer of hope for humanity disappears in "Luxurious Hearses," an emotionally exhausting encapsulation of the devastation caused by religion. Baptized as an infant by his Catholic father, raised in a strict Muslim community by his mother, adolescent Jubril is targeted by extremists who happen to be his former playmates. Fleeing religious riots in northern Nigeria on a luxury bus full of Christians, he keeps his right wrist in his pocket; if they see that his hand has been amputated (for stealing, under Sharia law), they will know he is Muslim. Jubril comes close to finding acceptance among his fellow passengers, which only makes their ultimate violence against him that much more disturbing. The final story, "My Parents' Bedroom," goes beyond disturbing toward unbearable as the children of a Tutsi mother and Hutu father in Rwanda witness the unspeakable acts their decent parents are forced to commit. Haunting prose. Unrelenting horror. An almost unreadable must-read. Copyright ©Kirkus Reviews, used with permission.