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The house with chicken legs

By: Material type: TextTextPublication details: London Usborne Publishing Limited 2018Description: 336 pISBN:
  • 9781474940665
DDC classification:
  • YA/ F/ AND
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Holdings
Item type Current library Collection Call number Status Notes Date due Barcode Item holds
Teens books Teens books DESC Dharmaraja College Children's Area Fiction YA/ F/ AND Available

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Young Adults' Collection (Blue Tag) CA00029266
Teens books Teens books Colombo Children's Area Fiction YA/ F/ AND Checked out Young Adults' Collection (Blue Tag) 04/10/2022 CY00025313
Teens books Teens books Colombo Children's Area Fiction YA/ F/ AND Checked out Young Adults' Collection (Blue Tag) 23/12/2022 CY00025314
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Enhanced descriptions from Syndetics:

My househas chicken legs. Two or three times a year, without warning, it stands up inthe middle of the night and walks away from where we've been living.

A breathtaking reimagining of the Russian fairy tale of Baba Yaga, The House with Chicken Legs is the award-winning, spellbinding story of one girl's adventure to find her destiny. Shortlisted for the Blue Peter Book Awards Shortlisted for the Waterstones Children's Book Prize Shortlisted for the CILIP Carnegie Medal Shortlisted for Children's Fiction Book of the Year at the British Book Awards Shortlisted for the Branford Boase AwardMarinka dreams of a normal life, where her house stays in one place long enough for her to make friends. But her house has chicken legs and moves on without warning.For Marinka's grandmother is Baba Yaga, who guides spirits between this world and the next. Marinka longs to change her destiny and sets out to break free from her grandmother's footsteps, but her house has other ideas..."Enticing, a little bit dangerous, and thrumming with possibilities." Kiran Millwood Hargrave"A magical tale... a captivating and original retelling of a traditional story straight out of folklore. Beautiful escapism." Sunday Express

6.99 GBP

Excerpt provided by Syndetics

My house has chicken legs. Two or three times a year, without warning, it stands up in the middle of the night and walks away from where we've been living. It might walk a hundred miles or it might walk a thousand, but where it lands is always the same. A lonely, bleak place at the edge of civilization. The house nestles in the dark forbidden woods behind villages, rattles on the windswept icy tundra, and hides in the crumbling industrial ruins at the far edge of cities. At the moment it's perched on a rocky plateau high in some barren mountains. We've been here two weeks and I still haven't seen anyone living. Dead people, I've seen plenty of those of course. They come to visit Baba and she guides them through The Gate. But the real live living people, they all stay in the town and villages far below us. Maybe if it was summer a few of them would wander up here, to picnic and look at the view. They might smile and say hello. Someone my age could visit, maybe a whole group of children on their holidays. They might stop near the stream and splash in the water to cool off. Perhaps they would invite me to join them. Excerpted from The House with Chicken Legs by Sophie Anderson All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reviews provided by Syndetics

School Library Journal Review

Gr 4-6-The wise witch of Slavic folklore, Baba Yaga, is the conduit for this coming-of-age adventure where both the living and the dead teach timely lessons about love and loss. Twelve-year-old narrator Marinka has reluctantly accepted her destiny: to learn the duties of a guardian (aka "yaga") who guides the dead through the Gate to a peaceful afterlife. Although she loves learning from her grandmother, Baba, and living in the strange house with chicken legs, she is tired of constantly picking up and moving, never making a friend among the living. When she stubbornly enacts her own plan for her future, Marinka is faced with choices that have permanent consequences. Anderson has written a plucky, compassionate heroiner in Marinka. She is completely relatable as she struggles with the desire for independence while knowing she has much to learn from her elders, peers, pets, and, surprisingly, her dwelling. The story brings Neil Gaiman's Coraline and the work of Tim Burton to mind: the first scene opens with Marinka building a fence of human femur bones with delicately balanced skulls atop. VERDICT A thoughtfully crafted, macabre masterpiece for middle grade readers, this debut novel also has the read-aloud appeal of a beloved folk or fairy tale.-Jane Miller, Nashville Public Library © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Horn Book Review

Twelve-year-old Marinka chafes against her lonely destiny as she trains to be a Yaga like her grandmother, a witch who guides the dead to their afterlife among the stars. When she rebelliously pursues her desires at the expense of her responsibilities, everything spirals out of control. In this lyrical story, inspired by Russian folklore and shot through with grief, Marinka finds a way to balance her needs with those of others. Glos. (c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus Book Review

In this reimagining of Russian tales of Baba Yaga, Yagas act as benevolent Guardians of The Gate between the worlds of the living and the dead.Orphan Marinka descends on both sides from the first Yaga, whose house plied the Russian steppes. Her grandmother Baba, who is also a Yaga, is training her to take over this important job when the time comes. But the 12-year-old doesn't want to be a Yaga. A Yaga's life is secret and lonely; her (or his) only friends are the dead who stop in nightly for a celebration of their lives before the Yaga guides them back to the stars from whence they came. Then two life-changing events happen in succession: Marinka learns a devastating truth about her life and Baba disappears. Marinka has to find a way to get Baba back, but her plan may change everything forever. Anderson has fully and lovingly developed her Yaga mythology. Although the Yaga story originates in Eastern Europe, these Yagas travel all over the world to guide the dead. Marinka's story takes her to England's Lake District, an unidentified desert, a marketplace in North Africa, and to the Russian steppes. Yagas are kind, and their chicken-legged houses aren't merely a means to get from place to place. They are sentient creatures, expressing emotion and magically meeting their inhabitants' needs. Some diversity is implied based on location, and Marinka's Russian descent likewise implies that she is white.Heartbreaking, uplifting, and absolutely beautiful. (Fantasy. 8-13) Copyright Kirkus Reviews, used with permission.

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