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Acts of narrative : textual strategies in modern German fiction / Patrick O'Neill.

By: Material type: TextTextSeries: Theory/culture seriesPublisher: Toronto, [Canada] ; Buffalo, [New York] ; London, [England] : University of Toronto Press, 1996Copyright date: ©1996Description: 1 online resource (216 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781442670600 (e-book)
Subject(s): Genre/Form: Additional physical formats: Print version:: Acts of narrative : textual strategies in modern German fiction.DDC classification:
  • 833/.910923 21
LOC classification:
  • PT772 .O54 1996
Online resources:
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Holdings
Item type Current library Call number Status Date due Barcode Item holds
Ebrary Online Books Ebrary Online Books Colombo Available CBEBK70002552
Ebrary Online Books Ebrary Online Books Jaffna Available JFEBK70002552
Ebrary Online Books Ebrary Online Books Kandy Available KDEBK70002552
Total holds: 0

Enhanced descriptions from Syndetics:

O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Grass, Johnson, Handke, and Bernhard.

Includes bibliographical references and index.

Description based on print version record.

Electronic reproduction. Ann Arbor, MI : ProQuest, 2016. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

Reviews provided by Syndetics

CHOICE Review

This is the third book by O'Neill (Queens College, Canada) in the "Theory/Culture" series on narrative and narrative theory (after The Comedy of Entropy, 1990, and Fictions of Discourse, 1994). The author analyzes selected prose works of eight major 20th century, German-language authors (Mann, Kafka, Hesse, Canetti, Grass, Johnson, Handke, and Bernhard) from a structuralist and poststructuralist point of view. His formalist approach foregrounds the discourse and stresses the element of play and the role of the reader in creating the fictional text. This method diverges from mainstream German criticism, which is usually historical and content based, and thus offers new perspectives in line with contemporary critical thinking. The scholarship is solid and pleasing to read, and fascinating insights abound. A valuable addition to the postmodernist debate, both inside and outside German literary circles. Upper-division undergraduate through faculty. R. Acker; University of Montana

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