Jackdaws

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A brand new thriller from the master storyteller set against the menacing backdrop of the Second World War and crackling with suspense and action. It is May, 1944 - a time of international tension where nothing is certain... Two weeks before D-Day, the French Resistance attack a chateau containing a telephone exchange vital to German communications - but the building is heavily guarded and the attack fails disastrously. Flick Clairet, a young British secret agent, proposes a daring new plan: she will parachute into France with an all-woman team known as the 'Jackdaws' and they will penetrate the chateau in disguise. But, unknown to Flick, Rommel has assigned a brilliant, ruthless intelligence colonel, Dieter Franck, to crush the Resistance. And Dieter is on Flick's trail...

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The First Day Sunday, May 28, 1944 Chapter 1 One minute before the explosion, the square at Sainte-Cècil was at peace. The evening was warm, and a layer of still air covered the town like a blanket. The church bell tolled a lazy beat, calling worshipers to the service with little enthusiasm. To Felicity Clairet it sounded like a countdown. The square was dominated by the seventeenth-century château. A small version of Versailles, it had a grand projecting front entrance, and wings on both sides that turned right angles and tailed off rearwards. There was a basement and two main floors topped by a tall roof with arched dormer windows. Felicity, who was always called Flick, loved France. She enjoyed its graceful buildings, its mild weather, its leisurely lunches, its cultured people. She liked French paintings, French literature, and stylish French clothes. Visitors often found the French people unfriendly, but Flick had been speaking the language since she was six years old, and no one could tell she was a foreigner. It angered her that the France she loved no longer existed. There was not enough food for leisurely lunches, the paintings had all been stolen by the Nazis, and only the whores had pretty clothes. Like most women, Flick was wearing a shapeless dress whose colors had long ago been washed to dullness. Her heart's desire was that the real France would come back. It might return soon, if she and people like her did what they were supposed to. She might not live to see it-indeed, she might not survive the next few minutes. She was no fatalist; she wanted to live. There were a hundred things she planned to do after the war: finish her doctorate, have a baby, see New York, own a sports car, drink champagne on the beach at Cannes. But if she was about to die, she was glad to be spending her last few moments in a sunlit square, looking at a beautiful old house, with the lilting sounds of the French language soft in her ears. The cháteau had been built as a home for the local aristocracy, but the last Comte de Sainte-Cècile had lost his head on the guillotine in 1793. The ornamental gardens had long ago been turned into vineyards, for this was wine country, the heart of the Champagne district. The building now housed an important telephone exchange, sited here because the government minister responsible had been born in Sainte-Cècile. When the Germans came they enlarged the exchange to provide connections between the French system and the new cable route to Germany. They also sited a Gestapo regional headquarters in the building, with offices on the upper floors and cells in the basement. Four weeks ago the château had been bombed by the Allies. Such precision bombing was new. The heavy four-engined Lancasters and Flying Fortresses that roared high over Europe every night were inaccurate-they sometimes missed an entire city-but the latest generation of fighter-bombers, the Lightnings and Thunderbolts, could sneak in by day and hit a small target, a bridge or a railway station. Much of the west wing of the château was now a heap of irregular seventeenth-century red bricks and square white stones. But the air raid had failed. Repairs were made quickly, and the phone service had been disrupted only as long as it took the Germans to install replacement switchboards. All the automatic telephone equipment and the vital amplifiers for the long-distance lines were in the basement, which had escaped serious damage. That was why Flick was here. The château was on the north side of the square, surrounded by a high wall of stone pillars and iron railings, guarded by uniformed sentries. To the east was a small medieval church, its ancient wooden doors wide open to the summer air and the arriving congregation. Opposite the church, on the west side of the square, was the town hall, run by an ultraconservative mayor who had few disagreements with the occupying Nazi rulers. The south side was a row of shops and a bar called Cafè des Sports. Flick sat outside the bar, waiting for the church bell to stop. On the table in front of her was a glass of the local white wine, thin and light. She had not drunk any. She was a British officer with the rank of major. Officially, she belonged to the First Aid Nursing Yeomanry, the all-female service that was inevitably called the FANYs. But that was a cover story. In fact, she worked for a secret organization, the Special Operations Executive, responsible for sabotage behind enemy lines. At twenty-eight, she was one of the most senior agents. This was not the first time she had felt herself close to death. She had learned to live with the threat, and manage her fear, but all the same she felt the touch of a cold hand on her heart when she looked at the steel helmets and powerful rifles of the château guards. Three years ago, her greatest ambition had been to become a professor of French literature in a British university, teaching students to enjoy the vigor of Hugo, the wit of Flaubert, the passion of Zola. She had been working in the War Office, translating French documents, when she had been summoned to a mysterious interview in a hotel room and asked if she was willing to do something dangerous. She had said yes without thinking much. There was a war on, and all the boys she had been at Oxford with were risking their lives every day, so why shouldn't she do the same? Two days after Christmas 1941 she had started her SOE training. Six months later she was a courier, carrying messages from SOE headquarters, at 64 Baker Street in London, to Resistance groups in occupied France, in the days when wireless sets were scarce and trained operators even fewer. She would parachute in, move around with her false identity papers, contact the Resistance, give them their orders, and note their replies, complaints, and requests for guns and ammunition. For the return journey she would rendezvous with a pickup plane, usually a three-seater Westland Lysander, small enough to land on six hundred yards of grass. From courier work she had graduated to organizing sabotage. Most SOE agents were officers, the theory being that their "men" were the local Resistance. In practice, the Resistance were not under military discipline, and an agent had to win their cooperation by being tough, knowledgeable, and authoritative. The work was dangerous. Six men and three women had finished the training course with Flick, and she was the only one still operating two years later. Two were known to be dead: one shot by the Milice, the hated French security police, and the second killed when his parachute failed to open. The other six had been captured, interrogated, and tortured, and had then disappeared into prison camps in Germany. Flick had survived because she was ruthless, she had quick reactions, and she was careful about security to the point of paranoia. Beside her sat her husband, Michel, leader of the Resistance circuit codenamed Bollinger, which was based in the cathedral city of Reims, ten miles from here. Although about to risk his life, Michel was sitting back in his chair, his right ankle resting on his left knee, holding a tall glass of pale, watery wartime beer. His careless grin had won her heart when she was a student at the Sorbonne, writing a thesis on Molière's ethics that she had abandoned at the outbreak of war. He had been A disheveled young philosophy lecturer with a legion of adoring students. He was still the sexiest man she had ever met. He was tall, and he dressed with careless elegance in rumpled suits and faded blue shirts. His hair was always a little too long. He had a come-to-bed voice and an intense blue-eyed gaze that made a girl feel she was the only woman in the world. This mission had given Flick a welcome chance to spend a few days with her husband, but it had not been a happy time. They had not quarreled, exactly, but Michel's affection had seemed halfhearted, as if he were going through the motions. She had felt hurt. Her instinct told her he was interested in someone else. He was only thirty-five, and his unkempt charm still worked on young women. It did not help that since their wedding they had been apart more than together, because of the war. And there were plenty of willing French girls, she thought sourly, in the Resistance and out of it. She still loved him. Not in the same way: she no longer worshiped him as she had on their honeymoon, no longer yearned to devote her life to making him happy. The morning mists of romantic love had lifted, and in the clear daylight of married life she could see that he was vain, self-absorbed, and unreliable. But when he chose to focus his attention on her, he could still make her feel unique and beautiful and cherished. His charm worked on men, too, and he was a great leader, courageous and charismatic. He and Flick had figured out the battle plan together. They would attack the château in two places, dividing the defenders, then regroup inside to form a single force that would penetrate the basement, find the main equipment room, and blow it up. They had a floor plan of the building supplied by Antoinette Dupert, supervisor of the group of local women who cleaned the château every evening. She was also Michel's aunt. The cleaners started work at seven o'clock, the same time as vespers, and Flick could see some of them now, presenting their special passes to the guard at the wrought-iron gate. Antoinette's sketch showed the entrance to the basement but no further details, for it was a restricted area, open to Germans only, and cleaned by soldiers. Michel's attack plan was based on reports from MI6, the British intelligence service, which said the château was guarded by a Waffen SS detachment working in three shifts, each of twelve men. The Gestapo personnel in the building were not fighting troops, and most would not even be armed. The Bollinger circuit had been able to muster fifteen fighters for the attack, and they were now deployed, either among the worshipers in the church, or posing as Sunday idlers around the square, concealing their weapons under their clothing or in satchels and duffel bags. If MI6 was right, the Resistance would outnumber the guards. But a worry nagged at Flick's brain and made her heart heavy with apprehension. When she had told Antoinette of MI6's estimate, Antoinette had frowned and said, "It seems to me there are more." Antoinette was no fool-she had been secretary to Joseph Laperrière, the head of a champagne house, until the occupation reduced his profits and his wife became his secretary-and she might be right. Michel had been unable to resolve the contradiction between the MI6 estimate and Antoinette's guess. He lived in Reims, and neither he nor any of his group was familiar with Sainte-Cècile. There had been no time for further reconnaissance. If the Resistance were outnumbered, Flick thought with dread, they were not likely to prevail against disciplined German troops. She looked around the square, picking out the people she knew, apparently innocent strollers who were in fact waiting to kill or be killed. Outside the haberdashery, studying a bolt of dull green cloth in the window, stood Geneviève, a tall girl of twenty with a Sten gun under her light summer coat. The Sten was a submachine gun much favored by the Resistance because it could be broken into three parts and carried in a small bag. Geneviève might well be the girl Michel had his eye on, but all the same Flick felt a shudder of horror at the thought that she might be mowed down by gunfire in a few seconds' time. Crossing the cobbled square, heading for the church, was Bertrand, even younger at seventeen, a blond boy with an eager face and a .45 caliber Colt automatic hidden in a folded newspaper under his arm. The Allies had dropped thousands of Colts by parachute. Flick had at first forbidden Bertrand from the team because of his age, but he had pleaded to be included, and she had needed every available man, so she had given in. She hoped his youthful bravado would survive once the shooting started. Loitering on the church porch, apparently finishing his cigarette before going in, was Albert, whose wife had given birth to their first child this morning, a girl. Albert had an extra reason to stay alive today. He carried a cloth bag that looked full of potatoes, but they were No.36 Mark I Mills hand grenades. The scene in the square looked normal but for one element. Beside the church was parked an enormous, powerful sports car. It was a French-built Hispano-Suiza type 68- bis, with a V12 aeroengine, one of the fastest cars in the world. It had a tall, arrogant-looking silver radiator topped by the flying-stork mascot, and it was painted sky blue. It had arrived half an hour ago. The driver, a handsome man of about forty, was wearing an elegant civilian suit, but he had to be a German officer-no one else would have the nerve to flaunt such a car. His companion, a tall, striking redhead in a green silk dress and high-heeled suede shoes, was too perfectly chic to be anything but French. The man had set up a camera on a tripod and was taking photographs of the château. The woman wore a defiant look, as if she knew that the shabby townspeople who stared at her on their way to church were calling her whore in their minds. A few minutes ago, the man had scared Flick by asking her to take a picture of him and his lady friend against the background of the château. He had spoken courteously, with an engaging smile, and only the trace of a German accent. The distraction at a crucial moment was absolutely maddening, but Flick had felt it might have caused trouble to refuse, especially as she was pretending to be a local resident who had nothing better to do than lounge around at a pavement café. So she had responded as most French people would have in the circumstances: she had put on an expression of cold indifference and complied with the German's request. It had been a farcically frightening moment: the British secret agent standing behind the camera; the German officer and his tart smiling at her, and the church bell tolling the seconds until the explosion. Then the officer had thanked her and offered to buy her a drink. She had refused very firmly: no French girl could drink with a German unless she was prepared to be called a whore. He had nodded understandingly, and she had returned to her husband. The officer was obviously off-duty and did not appear to be armed, so he presented no danger, but all the same he bothered Flick. She puzzled over this feeling in the last few seconds of calm and finally realized that she did not really believe he was a tourist. There was a watchful alertness in his manner that was not appropriate for soaking up the beauty of old architecture. His woman might be exactly what she seemed, but he was something else. Before Flick could figure out what, the bell ceased to toll. Michel drained his glass, then wiped his mouth with the back of his hand. --Reprinted from Jackdaws by Ken Follett by permission of Dutton, a member of Penguin Putnam Inc. Copyright © 2001 by Ken Follett. All rights reserved. This excerpt, or any parts thereof, may not be reproduced without permission. Excerpted from Jackdaws by Ken Follett All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reviews provided by Syndetics

Library Journal Review

It is days before the Allied invasion of Normandy, and the all-woman operation "Jackdaws" is set to infiltrate Europe's largest telephone exchange and sabotage German communications. Felicity "Flick" Clariet, one of the few British female operatives working in France, heads the team, but her confidence has taken a beating: the previous operation that she directed was a disastrous failure, and her philandering husband has gone missing. Flick's nemesis, the ruthless and sadistic Nazi officer Dieter Franck, occasionally regrets the terrible things he does, but it doesn't stop him from pressing on. Nor does our heroine regret executing traitors, all the while falling in love with American Paul Chancellor. An exciting look at the dangerous world of courageous souls who confronted the Nazi monster in its lair, Follett's latest (after Code to Zero) will not disappoint fans. For all collections. [Previewed in Prepub Alert, LJ 8/01; BOMC main selection.] Robert Conroy, Warren, MI (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Review

Time is running out. With D-Day rapidly approaching, the Nazis are actively trying to quash the French resistance. Meanwhile, Britain's Special Operations branch is working hard to supply the resistance with intelligence, supplies and agents. Felicity "Flick" Clairet is one of England's most effective operatives in northern France. Having failed in an assault on the Nazis' main European telephone exchange, she regroups in England for another attempt, this time with an all-female team that will infiltrate the exchange under the guise of a French cleaning staff. Unfortunately, finding female agents fluent in French proves impossible and Flick resorts to crash-training nonprofessionals for the task. Imagine Charlie's Angels (minus the campiness) in The Guns of Navarone. Written in Follett's (Pillars of the Earth, etc.) riveting style and with his penchant for historical detail, the Jackdaws (the codename of the all-girl team) are given a heightened air of authenticity with Kate Reading's performance. She flavors her confident delivery with a wry cynicism that is inherent to Flick's character, and her use of international as well as regional accents keeps the rapid narrative flowing flawlessly. Simultaneous release with the Dutton hardcover (Forecasts, Oct. 15, 2001). (Dec. 2001) (c) Copyright PWxyz, LLC. All rights reserved

Booklist Review

Follett is a very limited writer: he does plot-driven, breakneck-paced thrillers. That's all he does, but he does them very well. He's dead on-target this time, updating that World War II workhorse in which a gang of misfits goes behind Nazi lines to do the impossible. Yes, it's The Dirty Dozen, but here it's recast as The Dirty Half-Dozen, Girl Version. The impossible mission is to take out a German telephone exchange near Reims in the last few hours before D-Day. A full-frontal assault led by British SOE (Special Operations Executives) Felicity "Flick" Clariet and her husband, a French Resistance leader, has failed, leaving the Allies with only a last-minute desperation plan: a team of six women, posing as a cleaning detail, will infiltrate the exchange and dismantle it. Flick has only a few hours to round up her team, and she must choose from a handful of SOE rejects, as well as the odd prisoner and sharpshooting aristocrat. Outsiders for the twenty-first century, the assembled team includes two lesbians, a German transvestite, and a gypsy. All of this may sound like cliched melodrama, but when Follett starts the clock and slips the narrative gearshift into synchromesh, one's literary misgivings are abandoned in the wake of the plot's forward thrust. A handful of romantic subplots show Follett's weaknesses at dramatizing human relationships, but, fortunately, he knows not to dally overlong with the subtle stuff. This is not the equal of Eye of the Needle (one of the few times when Follett created a full-bodied character to go with a stunning story), but it is thoroughly entertaining all the same. A movie version with Madonna as the gypsy and Jamie Lee Curtis as the transvestite would seem a must. --Bill Ott

Kirkus Book Review

Another plumpish thriller from the Follett factory (Code Zero, 2000, etc.), this time featuring a sort of distaff dirty (half) dozen. They don't come any tougher, smarter, braver, or, for that matter, deadlier than Major Felicity (call her "Flick") Clairet. Quintessentially female and sexy as all get out, she kills without compunction if that's the way the mission goes. The year is 1944, ten days before the Allied assault on Normandy, and Flick, a world-class saboteur, is attached to a British special operations unit. In France, near Paris, the largest telephone exchange in Europe has to be knocked out if Nazi communications are to be as impaired as the Allies need them to be. Eager for the assignment, Flick, being Flick, is only momentarily nonplussed when she learns she has but a mere two days to recruit a team of six French-speaking Englishwomen, train them to jump out of an airplane, and pass them off as a local custodial staff. In company with Flick, they will then slip by gulled Gestapo guards and into the telephone exchange building in order to blow it to smithereens. Code-named Jackdaw, the hastily assembled team includes a convict awaiting trial for murder, an ex-safecracker with a particular affinity for gelignite, and an engineer who is also a transvestite. Opposing the Jackdaws will be fiendishly clever Major Dietrich Franck, late of Rommel's staff, who is to captured British intelligence agents what Torquemada was to suspected heathens. And now the game's afoot: jackbooted Nazis against dissembling Jackdaws, devilish Dietrich versus tricky Flick. Bullets fly and blood flows while the fate of D-day hangs, obligatorily, in the balance. Ersatz characters, featureless prose, departures from formula nil. But to the Follett faithful that's probably good news. Book-of-the-Month Club/Mystery Guild main selection; Literary Guild featured alternate selection