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The invention of modern Italian literature : strategies of creative imagination / Gino Tellini ; translation by Dawn Winterhalter and Gemma Dawkes.

By: Contributor(s): Material type: TextTextSeries: Toronto Italian studiesPublisher: Toronto, [Ontario] ; Buffalo, [New York] ; London, [England] : University of Toronto Press, 2007Copyright date: ©2007Description: 1 online resource (182 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781442684959 (e-book)
Subject(s): Genre/Form: Additional physical formats: Print version:: Invention of modern Italian literature : strategies of creative imagination.DDC classification:
  • 850.9 22
LOC classification:
  • PQ4085 .T455 2007
Online resources:
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Holdings
Item type Current library Call number Status Date due Barcode Item holds
Ebrary Online Books Ebrary Online Books Colombo Available CBEBK70003549
Ebrary Online Books Ebrary Online Books Jaffna Available JFEBK70003549
Ebrary Online Books Ebrary Online Books Kandy Available KDEBK70003549
Total holds: 0

Enhanced descriptions from Syndetics:

As an investigation of new expressive processes and stylistic experiences, The Invention of Modern Italian Literature situates prominent Italian writers within the context of modern literature.

Description based on print version record.

Electronic reproduction. Ann Arbor, MI : ProQuest, 2016. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

Reviews provided by Syndetics

CHOICE Review

Though some phases of Italian literary history--the Middle Ages, the Renaissance, the post-WW II era--are well known to North American readers, the period between the 18th and the early 20th centuries all too often remains terra incognita even to the otherwise knowledgeable. This collection of translated essays by one of Italy's leading historians and literary critics will shed brighter light on an area of Italian cultural history that deserves to be much better known. The individual essays deal with major figures--Vittorio Alfieri, Ugo Foscolo, Alessandro Manzoni, Giacomo Leopardi, Giovanni Verga, Giovanni Pascoli--but usually with their less-known works: Manzoni's plays rather than I promessi sposi, Leopardi's correspondence rather than his poetry, and so on. In each case Tellini (Univ. of Florence) reads with subtle acumen and historical awareness, moving skillfully between text and context but never subordinating the one to the other in the interest of a preconceived intellectual agenda. The result is a useful, readable, highly intelligent collection of essays that will introduce many readers to works worth reading and to new ways of thinking about some less familiar areas of the Italian literary canon. Summing Up: Recommended. Upper-division undergraduates through faculty. S. Botterill University of California, Berkeley

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