Little Women

Enhanced descriptions from Syndetics:

The illustrations for this series were created by Scott McKowen, who, with his wife Christina Poddubiuk, operates Punch & Judy Inc., a company specializing in design and illustration for theater and performing arts. Their projects often involve research into the visual aspects of historical settings and characters. Christina is a theater set and costume designer and contributed advice on the period clothing for the illustrations.

Scott created these drawings in scratchboard ­ an engraving medium which evokes the look of popular art from the period of these stories. Scratchboard is an illustration board with a specifically prepared surface of hard white chalk. A thin layer of black ink is rolled over the surface, and lines are drawn by hand with a sharp knife by scraping through the ink layer to expose the white surface underneath. The finished drawings are then scanned and the color is added digitally.

The beautiful Meg, artistic tomboy Jo, doomed Beth, and selfish Amy: since the publication of Little Women in 1869, these four sisters have become America's most beloved literary siblings. Louisa May Alcott's rich and realistic portrait has inspired three movies and stirred the emotions of countless young girls. Set in New England during the Civil War, the novel follows the adventures of the March sisters as they struggle to pursue their dreams.

Excerpt provided by Syndetics

Chapter one Playing Pilgrims "Christmas won't be Christmas without any presents," grumbled Jo, lying on the rug. "It's so dreadful to be poor!" sighed Meg, looking down at her old dress. "I don't think it's fair for some girls to have lots of pretty things, and other girls nothing at all," added little Amy, with an injured sniff. "We've got father and mother, and each other, anyhow," said Beth, contentedly, from her corner. The four young faces on which the firelight shone brightened at the cheerful words, but darkened again as Jo said sadly,- "We haven't got father, and shall not have him for a long time." She didn't say "perhaps never," but each silently added it, thinking of father far away, where the fighting was. Nobody spoke for a minute; then Meg said in an altered tone,- "You know the reason mother proposed not having any presents this Christmas, was because it's going to be a hard winter for every one; and she thinks we ought not to spend money for pleasure, when our men are suffering so in the army. We can't do much, but we can make our little sacrifices, and ought to do it gladly. But I am afraid I don't;" and Meg shook her head, as she thought regretfully of all the pretty things she wanted. "But I don't think the little we should spend would do any good. We've each got a dollar, and the army wouldn't be much helped by our giving that. I agree not to expect anything from mother or you, but I do want to buy Undine and Sintram for myself; I've wanted it so long," said Jo, who was a bookworm. "I planned to spend mine in new music," said Beth, with a little sigh, which no one heard but the hearth-brush and kettle-holder. "I shall get a nice box of Faber's drawing pencils; I really need them," said Amy, decidedly. "Mother didn't say anything about our money, and she won't wish us to give up everything. Let's each buy what we want, and have a little fun; I'm sure we grub hard enough to earn it," cried Jo, examining the heels of her boots in a gentlemanly manner. "I know I do,-teaching those dreadful children nearly all day, when I'm longing to enjoy myself at home," began Meg, in the complaining tone again. "You don't have half such a hard time as I do," said Jo. "How would you like to be shut up for hours with a nervous, fussy old lady, who keeps you trotting, is never satisfied, and worries you till you're ready to fly out of the window or box her ears?" "It's naughty to fret,-but I do think washing dishes and keeping things tidy is the worst work in the world. It makes me cross; and my hands get so stiff, I can't practise good a bit." And Beth looked at her rough hands with a sigh that any one could hear that time. "I don't believe any of you suffer as I do," cried Amy; "for you don't have to go to school with impertinent girls, who plague you if you don't know your lessons, and laugh at your dresses, and label your father if he isn't rich, and insult you when your nose isn't nice." "If you mean libel I'd say so, and not talk about labels, as if pa was a pickle-bottle," advised Jo, laughing. "I know what I mean, and you needn't be 'statirical' about it. It's proper to use good words, and improve your vocabilary," returned Amy, with dignity. "Don't peck at one another, children. Don't you wish we had the money papa lost when we were little, Jo? Dear me, how happy and good we'd be, if we had no worries," said Meg, who could remember better times. "You said the other day you thought we were a deal happier than the King children, for they were fighting and fretting all the time, in spite of their money." "So I did, Beth. Well, I guess we are; for though we do have to work, we make fun for ourselves, and are a pretty jolly set, as Jo would say." "Jo does use such slang words," observed Amy, with a reproving look at the long figure stretched on the rug. Jo immediately sat up, put her hands in her apron pockets, and began to whistle. "Don't, Jo; it's so boyish." "That's why I do it." "I detest rude, unlady-like girls." "I hate affected, niminy piminy chits." "Birds in their little nests agree," sang Beth, the peace-maker, with such a funny face that both sharp voices softened to a laugh, and the "pecking" ended for that time. "Really, girls, you are both to be blamed," said Meg, beginning to lecture in her elder sisterly fashion. "You are old enough to leave off boyish tricks, and behave better, Josephine. It didn't matter so much when you were a little girl; but now you are so tall, and turn up your hair, you should remember that you are a young lady." "I ain't! and if turning up my hair makes me one, I'll wear it in two tails till I'm twenty," cried Jo, pulling off her net, and shaking down a chestnut mane. "I hate to think I've got to grow up and be Miss March, and wear long gowns, and look as prim as a China-aster. It's bad enough to be a girl, any-way, when I like boy's games, and work, and manners. I can't get over my disappointment in not being a boy, and it's worse than ever now, for I'm dying to go and fight with papa, and I can only stay at home and knit like a poky old woman;" and Jo shook the blue army-sock till the needles rattled like castanets, and her ball bounded across the room. "Poor Jo; it's too bad! But it can't be helped, so you must try to be contented with making your name boyish, and playing brother to us girls," said Beth, stroking the rough head at her knee with a hand that all the dishwashing and dusting in the world could not make ungentle in its touch. "As for you, Amy," continued Meg, "you are altogether too particular and prim. Your airs are funny now, but you'll grow up an affected little goose if you don't take care. I like your nice manners, and refined ways of speaking, when you don't try to be elegant; but your absurd words are as bad as Jo's slang." "If Jo is a tom-boy, and Amy a goose, what am I, please?" asked Beth, ready to share the lecture. "You're a dear, and nothing else," answered Meg, warmly; and no one contradicted her, for the "Mouse" was the pet of the family. As young readers like to know "how people look," we will take this moment to give them a little sketch of the four sisters, who sat knitting away in the twilight, while the December snow fell quietly without, and the fire crackled cheerfully within. It was a comfortable old room, though the carpet was faded and the furniture very plain, for a good picture or two hung on the walls, books filled the recesses, chrysanthemums and Christmas roses bloomed in the windows, and a pleasant atmosphere of home-peace pervaded it. Margaret, the eldest of the four, was sixteen, and very pretty, being plump and fair, with large eyes, plenty of soft brown hair, a sweet mouth, and white hands, of which she was rather vain. Fifteen-year old Jo was very tall, thin and brown, and reminded one of a colt; for she never seemed to know what to do with her long limbs, which were very much in her way. She had a decided mouth, a comical nose, and sharp gray eyes, which appeared to see everything, and were by turns fierce, funny, or thoughtful. Her long, thick hair was her one beauty; but it was usually bundled into a net, to be out of her way. Round shoulders had Jo, big hands and feet, a fly-away look to her clothes, and the uncomfortable appearance of a girl who was rapidly shooting up into a woman, and didn't like it. Elizabeth,-or Beth, as every one called her,-was a rosy, smooth-haired, bright-eyed girl of thirteen, with a shy manner, a timid voice, and a peaceful expression, which was seldom disturbed. Her father called her "Little Tranquillity," and the name suited her excellently; for she seemed to live in a happy world of her own, only venturing out to meet the few whom she trusted and loved. Amy, though the youngest, was a most important person, in her own opinion at least. A regular snow maiden, with blue eyes, and yellow hair curling on her shoulders; pale and slender, and always carrying herself like a young lady mindful of her manners. What the characters of the four sisters were, we will leave to be found out. The clock struck six; and, having swept up the hearth, Beth put a pair of slippers down to warm. Somehow the sight of the old shoes had a good effect upon the girls, for mother was coming, and every one brightened to welcome her. Meg stopped lecturing, and lit the lamp, Amy got out of the easy-chair without being asked, and Jo forgot how tired she was as she sat up to hold the slippers nearer to the blaze. "They are quite worn out; Marmee must have a new pair." "I thought I'd get her some with my dollar," said Beth. "No, I shall!" cried Amy. "I'm the oldest," began Meg, but Jo cut in with a decided- "I'm the man of the family now papa is away, and I shall provide the slippers, for he told me to take special care of mother while he was gone." "I'll tell you what we'll do," said Beth; "let's each get her something for Christmas, and not get anything for ourselves." "That's like you, dear! What will we get?" exclaimed Jo. Every one thought soberly for a minute; then Meg announced, as if the idea was suggested by the sight of her own pretty hands, "I shall give her a nice pair of gloves." "Army shoes, best to be had," cried Jo. "Some handkerchiefs, all hemmed," said Beth. "I'll get a little bottle of Cologne; she likes it, and it won't cost much, so I'll have some left to buy something for me," added Amy. "How will we give the things?" asked Meg. "Put 'em on the table, and bring her in and see her open the bundles. Don't you remember how we used to do on our birthdays?" answered Jo. "I used to be so frightened when it was my turn to sit in the big chair with a crown on, and see you all come marching round to give the presents, with a kiss. I liked the things and the kisses, but it was dreadful to have you sit looking at me while I opened the bundles," said Beth, who was toasting her face and the bread for tea, at the same time. "Let Marmee think we are getting things for ourselves, and then surprise her. We must go shopping to-morrow afternoon, Meg; there is lots to do about the play for Christmas night," said Jo, marching up and down with her hands behind her back, and her nose in the air. "I don't mean to act any more after this time; I'm getting too old for such things," observed Meg, who was as much a child as ever about "dressing up" frolics. "You won't stop, I know, as long as you can trail round in a white gown with your hair down, and wear gold-paper jewelry. You are the best actress we've got, and there'll be an end of everything if you quit the boards," said Jo. "We ought to rehearse tonight; come here, Amy, and do the fainting scene, for you are as stiff as a poker in that." "I can't help it; I never saw any one faint, and I don't choose to make myself all black and blue, tumbling flat as you do. If I can go down easily, I'll drop; if I can't, I shall fall into a chair and be graceful; I don't care if Hugo does come at me with a pistol," returned Amy, who was not gifted with dramatic power, but was chosen because she was small enough to be borne out shrieking by the hero of the piece. "Do it this way; clasp your hands so, and stagger across the room, crying frantically, 'Roderigo! save me! save me!'" and away went Jo, with a melodramatic scream which was truly thrilling. Amy followed, but she poked her hands out stiffly before her, and jerked herself along as if she went by machinery; and her "Ow!" was more suggestive of pins being run into her than of fear and anguish. Jo gave a despairing groan, and Meg laughed outright, while Beth let her bread burn as she watched the fun, with interest. "It's no use! do the best you can when the time comes, and if the audience shout, don't blame me. Come on, Meg." Then things went smoothly, for Don Pedro defied the world in a speech of two pages without a single break; Hagar, the witch, chanted an awful incantation over her kettleful of simmering toads, with weird effect; Roderigo rent his chains asunder manfully, and Hugo died in agonies of remorse and arsenic, with a wild "Ha! ha!" "It's the best we've had yet," said Meg, as the dead villain sat up and rubbed his elbows. "I don't see how you can write and act such splendid things, Jo. You're a regular Shakespeare!" exclaimed Beth, who firmly believed that her sisters were gifted with wonderful genius in all things. "Not quite," replied Jo, modestly. "I do think 'The Witch's Curse, an Operatic Tragedy,' is rather a nice thing; but I'd like to try Macbeth, if we only had a trapdoor for Banquo. I always wanted to do the killing part. 'Is that a dagger that I see before me?'" muttered Jo, rolling her eyes and clutching at the air, as she had seen a famous tragedian do. "No, it's the toasting fork, with ma's shoe on it instead of the bread. Beth's stage struck!" cried Meg, and the rehearsal ended in a general burst of laughter. "Glad to find you so merry, my girls," said a cheery voice at the door, and actors and audience turned to welcome a stout, motherly lady, with a "can-I-help-you" look about her which was truly delightful. She wasn't a particularly handsome person, but mothers are always lovely to their children, and the girls thought the gray cloak and unfashionable bonnet covered the most splendid woman in the world. Excerpted from Little Women by Louisa May Alcott All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reviews provided by Syndetics

Library Journal Review

One of the most beloved American classics is beautifully and eloquently brought to life in this recording filled with passion and spirit. Four sisters in 19th-century New England grow from little girls to respectable young women. Each sister carries unique hopes for her future, but Meg, Jo, Beth, and Amy learn that life often has other plans in store. Their coming-of-age stories are filled with hilarity, humility, friendship, heartbreak, and duty. Characters come alive with unique voices and mannerisms, flawlessly narrated by Susie Berneis. VERDICT This new recording of this time-honored novel is essential listening for fans of American literature.-Erin Cataldi, Johnson Cty. P.L., Franklin, IN © Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Horn Book Review

The complete text of Alcott's classic tale of Jo, Meg, Beth, and Amy March is reprinted with a ribbon bookmark and a list of open-ended questions (""Do you think she overreacted, or was her anger justified?"") designed to stimulate thought. Repeated scratchboard illustrations head each chapter, giving the book a generic appearance. (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. All rights reserved.