Jane Austen: A Life Claire Tomalin

Enhanced descriptions from Syndetics:

The novels of Jane Austen depict a world of civility, reassuring stability and continuity, which generations of readers have supposed was the world she herself inhabited. Claire Tomalin's biography paints a surprisingly different picture of the Austen family and their Hampshire neighbours, and of Jane's progress through a difficult childhood, an unhappy love affair, her experiences as a poor relation and her decision to reject a marriage that would solve all her problems - except that of continuing as a writer. Both the woman and the novels are radically reassessed in this biography.

Reviews provided by Syndetics

Library Journal Review

Despite only a few surviving personal papers and letters, no autobiographical notes, and no diaries written by Jane Austen, attempts to piece together the life and personality of the author abound. An experienced biographer, Tomalin makes do by focusing more on the Austen family, acquaintances, and friends than on Austen herself, forthrightly acknowledging, "It is only because of her writing that we think them worth remembering; and yet she is at almost every point harder to summon up than any of them...she is as elusive as a cloud in the night sky." Like David Nokes's recent biography, Jane Austen (LJ 9/1/97), Tomalin's presents an engaging story of the life and times of the Austen family. Although Tomalin's biography is not as detailed as Nokes's, it offers a freshness in its attention to, and compassion regarding the child-rearing practices of the Austens, the physical demands on child-bearing women, and to the portrayal of Austen's will, determination, and energy in her final days. Recommended for literature collections for its perspective and minimal speculations.‘Jeris Cassel, Rutgers Univ. Libs., New Brunswick, N.J. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Review

Tomalin (The Invisible Woman) solves the problem of preparing yet another biography of Jane Austen (1775-1817), a "life of no event," by a familiar formula. At every turn, one meets "may have," "may be" and "might have." A biographical boon is the large supporting cast. Tomalin takes 100 pages to get Austen to age 18 by filling in the pages with stories about her relatives and neighbors in Hampshire. An entire chapter is devoted to a single Austen letter‘and because few of her letters survive, Tomalin suggests that in some years, in a letter-writing age, Austen wrote none whatsoever. Such apparent silences are suffused with hypotheses about her dreary existence during the long gaps between her teenage novelizing and her shrewd, mature works like Emma and Mansfield Park, which followed the much-delayed publication of Sense and Sensibility and Pride and Prejudice. Tomalin is strikingly sensitive, however, to Austen's life of social discomfort. In what is a very personal book, she often resorts to the first person, which fits the speculative approach. Photos not seen by PW. (Nov.) FYI: For reviews of two other Austen biographies published this year, see Jane Austen by Valerie Grosvenor Myer in Nonfiction Forecasts (March 10) and Jane Austen by David Nokes (July 7). (c) Copyright PWxyz, LLC. All rights reserved

Booklist Review

Like Austen herself, Tomalin knows how to satisfy both academic and popular interests. Her biography of the great novelist reveals that Austen developed her skill in creating fascinating fictional lives while living a life that was more eventful--and far more traumatic--than her official biographers have previously acknowledged. How strange, though, that such convincing depictions of pastoral decorum came from the pen of one cruelly separated from home and family as a child, disappointed in love as a young woman, and overwhelmed by depression as an adult. Tomalin's probings into possible political links between the conservative Austen and contemporary radicals such as Wollstonecraft and Bage will guide many doctoral candidates. But it is the fresh literary interpretations of Austen's novels that will delight most readers, especially since Tomalin moves beyond Pride and Prejudice and Emma to tease surprises out of such minor works as Mansfield Park and Northanger Abbey. As a provocative work of scholarship and general interest, this book belongs in public libraries wherever Austen's novels are read. --Bryce Christensen

Kirkus Book Review

The second major Austen biography of the season expertly places the great novelist in her historical moment, without attempting to fully plumb her psyche. Austen, writes Tomalin (The Invisible Woman: The Story of Nelly Ternan and Charles Dickens, 1991, etc.), ``has a way of sending biographers away feeling that, as Lord David Cecil put it, she remains `as no doubt she would have wished--not an intimate but an acquaintance.' '' Tomalin does indeed fall short of conveying the kind of three-dimensional portrait so painstakingly achieved by David Nokes in his recent Austen biography (p. 1012). She speculates on how the novelist's sojourn with a village wet nurse affected her in infancy, on how she handled heartbreak as an adult, and on the impact of the various family crises that marked her later life--guesswork being of the essence for the Austen biographer, given that most of her correspondence was destroyed by her family after her death. But Tomalin doesn't convince with her tentative explanations of what made Austen tick. Be it somewhat lacking in depth, however, the sketch of the famous author that emerges from Tomalin's unassuming, lucid, and concise account of Austen's family life and of her meteoric rise to fame in her last years does do justice to the integrity of her complex character. Her mobile intelligence and biting humor come across smartly. What's more, Tomalin offers impressive accounts of the evolution and meanings of Austen's novels, and of how she and her works related to their literary antecedents, from Samuel Johnson to the popular novelist Charlotte Smith, and to their historical context of revolution and war. Nice historical detailing--attention, for example, to the expense of the paper on which Austen wrote--adds period flavor. Recommended for those seeking a brief introduction to Austen's life, times, and work; those wishing to burrow deep into the author's consciousness will want to consult Nokes. (16 pages photos, not seen)