To Cut A Long Story Short
Material type:
- 9780330419093
- F/ARC
Item type | Current library | Collection | Call number | Status | Notes | Date due | Barcode | Item holds | |
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Colombo Fiction | Fiction | F/ARC | Checked out | 27/02/2025 | CA00028854 | |||
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Colombo Fiction | Fiction | F/ARC |
Available
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CA00028715 | ||||
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Colombo Fiction | F/ ARC |
Available
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CA00026971 | |||||
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Colombo Fiction | F/ARC |
Available
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CA00020182 | |||||
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Colombo Fiction | F/ARC | Checked out | 02/05/2025 | CA00020183 | ||||
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Kandy | F/ARC | Checked out | 15/05/2025 | KB102700 | ||||
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Orion City | F/ARC |
Available
Order online |
Only Available at Orion City | CA00016291 |
Enhanced descriptions from Syndetics:
The fourteen short stories in To Cut a Long Story Short show Jeffrey Archer's great skills with a wide variety of character, of subject and of setting, but all with that trademark twist in the tale.
Every reader will have their own favourites: the choices run from love at first sight across the train tracks to the cleverest of confidence tricks, from the quirks of the legal profession - and those who are able to manipulate both sides of the Bar - to the creative financial talents of a member of Her Majesty's diplomatic service - but for a good cause. The last story, The Grass is Always Greener , is possibly the best piece Archer has written, and will haunt you for the rest of your life.
GBP 7.99
Excerpt provided by Syndetics
Reviews provided by Syndetics
Library Journal Review
Thrillmeister Archer cuts to the chase: a new collection of short stories. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.Publishers Weekly Review
Archer (Twelve Red Herrings; The Fourth Estate) maintains his obsession with surprise endings, producing a collection of 14 cleverly twisting tales, nine of which are "based on true incidents." If most of the stories fail to produce a lasting effect, they are characteristically fluid and occasionally satisfying. Among the most successful is "Something for Nothing," inspired by a real story. Jake, a New York City father making a routine telephone call to his elderly mother, overhears another conversation in which instructions are given to pick up an envelope containing $100,000. Jake dashes out of his apartment and intercepts the loot before the intended recipient, but discovers that nothing is ever as foolproof as it sounds. In "A Change of Heart," another fact-based tale, a white bigot in South Africa gets a heart transplantÄand discovers the heart belonged to an African man he killed in a car accident. The incident inspires the bigot and others to reconsider their narrow views. "The Endgame" has a smart premiseÄa multimillionaire widower tests his family's loyalty by declaring himself bankruptÄyet the characters move as predictably as the chess pieces on the valuable set that is the focal point of the tale. "A Weekend to Remember" features bachelor-hotel owner Tony Romanelli and a sexy arts writer named Susie. Tony prides himself on being able to read if a woman is "interested" by the feel of her greeting or parting hug, but he reads the wrong story in Susie's enthusiastic squeeze. Perhaps cutting these fictions short was a mistake, their complex premises demanding lengthier elaboration. However, Archer's following is legion and the collection will doubtless find its readership. (Jan. 7) (c) Copyright PWxyz, LLC. All rights reservedBooklist Review
Two well-established writers, the first British and the second American, enhance their careers with new, very successful, but significantly different collections of short stories. Archer is known more for his high-powered thrillers than his short stories, but his expertise in the latter form is displayed in compelling fashion in his first collection since the best-selling Twelve Red Herrings. As Archer relates in his preface, several of the 14 stories are based on actual incidents. One such is the humorous "Expert Witness," in which two golfing partners, one an advocate in a court of law and the other a professor and specialist in the use of handguns in murder cases, find themselves at odds in the courtroom. Perhaps the highlight of the collection, a story called "The Letter," is not based in truth. In this devastating tale, a woman disguises her infidelity to her husband. Beattie writes, too, of social situations but with much less satire and with more focus on her characters' inner lives. Her people face promises and letdowns, responsibilities they may or may not want to deal with, and even physical disabilities challenging their ability to cope. "Hurricane Carleyville" is quintessential Beattie. A man, who has left his broken relationship and broken business behind, visits old friends and, in the course of his stay, makes strides toward pulling himself together as an individual. In "Cat People," about neighbors who don't get along, we see again the primary attraction of Beattie's fiction: people with whom we identify placed in recognizably human situations. --Brad HooperKirkus Book Review
Despite the title, none of the 14 stories megaselling Archer (The Eleventh Commandment, 1998, etc.) exhibits here are abridgements of potential novels; practically all of them are expansions of paragraph-length anecdotes. The tendency to embroider pat morals is clearest from the titles of the nine stories based on actual incidents. A champion of apartheid receives a tolerance transplant along with the heart of the African his automobile killed in A Change of Heart. A house built on the troubled border of the Irish Republic and Northern Ireland comes under attack in Both Sides Against the Middle. The brief Love at First Sight could easily have been boiled down further to an anniversary toast, or still further to boy meets girl. Even when Archers detailing the confidence schemes that give shape to so many of these talesthe hoary deception in Something for Nothing, the more elaborate moneymaking plot in Crime Pays, the plausible suitor who lays siege to a wealthy wife in Too Many Coincidencestheir cleverness takes a backseat to the image of the conscientious recorder jotting down notes from a daily newspaper. The stories Archer makes up himself are just as foursquare and functional in their moralizing. A wealthy widower tests the affections of his heirs by pretending to be bankrupt in The Endgame. A self-regarding artist who spends a lifetime sponging off his brother gets his comeuppance in Chalk and Cheese. Everybody at Critchleys Bank wishes he were somebody else in The Grass is Always Greener . . . , a theme treated just as effectively a hundred years ago, and at a third the length, in O. Henrys The Social Triangle. Archer aptly cites O. Henry, along with Saki and John Buchan, as his masters, but the real model for these tales is the after-dinner speaker who wouldnt dream of taxing your brain after the long day youve had.There are no comments on this title.