THE LITTLE ENGINE THAT COULD

Enhanced descriptions from Syndetics:

THE ALL-TIME CLASSIC, RE-ILLUSTRATED BY THE CREATOR OF OTIS !

Everyone loves The Little Engine That Could, that classic tale of the determined little engine that, despite its size, triumphantly pulls a train full of toys to the waiting children on the other side of a mountain.

Now the great Loren Long ( Otis; Of Thee I Sing ) has brilliantly re-illustrated this classic story, bringing it exuberantly to life for today's child. Get on board for the publishing event of the year.

Reviews provided by Syndetics

Publishers Weekly Review

Long (I Dream of Trains) pays respectful homage to George and Doris Hauman's compositions in his visual interpretation of the classic tale of determination and perseverance, first published in 1930. Yet the artist adds a lushness to the spreads and injects even more personality into the characters; he uses the larger format to play up the vistas of mountain and valley that pose such a challenge to the engines on this route, and gives "the funniest little toy clown you ever saw" a starring role. A cheerful purple elephant whose eyes droop as one engine after another declines to pull their load, a pair of pull-toys containing curious giraffes (their necks bow in disappointment) and a cuddly, expressive stuffed monkey are among the supporting cast. The spacious spreads also allow for a more dramatic flow of the text (the original often broke a paragraph in the middle of a climactic moment). Long adorns the different engines with wry human characteristics. The cowcatcher of the haughty Shiny New Engine resembles teeth exposed by a snarl, while the Rusty Old Engine (who says, "I can not. I can not") sports a smokestack in the shape of a dilapidated top hat, a mop of gray hair and a monocle. The piece de resistance is the brave Little Blue Engine that could, with bright blue eyes in place of windows, a wide smile and-while chugging up that daunting mountain-a pink tongue protruding from her mouth. Both faithful fans and newcomers will enjoy this triumphant ride and eagerly climb aboard for repeat excursions. Ages 3-up. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved

School Library Journal Review

PreS-Gr 2-This classic tale has been re-released with updated illustrations and a larger format. The text remains the same. The art, done with acrylics, is stylized and still retains a bit of an old-fashioned flavor. Nevertheless, the '30s look is definitely gone. In its place, readers will find artwork suggestive of a retro '50s look. As with the original, the clown takes center stage. His outfit, however, has changed from green polka dots to red pants, yellow shirt, and a colorful stocking cap. The text, with its, "I think I can, I think I can" refrain, is a timeless piece of children's literature and so familiar that it needs no elaboration. It's hard to improve upon a classic, and one advantage that the traditional edition has over this one is that the quaint and sentimental text pairs nicely with the "antique" artwork. The modern illustrations undoubtedly work better with a group but they have a faux feel to them. As such they are a little out of sync with the prim and proper style of writing in the story about the "good little boys and girls on the other side of the mountain [who will be] without the wonderful toys to play with and the good food to eat-." Nevertheless, this is an acceptable purchase, especially for those libraries without a copy of the first edition or larger libraries wishing to collect all versions of classic tales.-Roxanne Burg, Orange County Public Library, CA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Booklist Review

PreS-Gr. 1. The new edition of this American classic pairs the original (1930) text with artwork by Loren Long, whose previous picture books include Madonna's Mr. Peabody's Apples0 (2003) and Walt Whitman's When I Heard the Learn'd Astronomer0 (2004). Grand in scale but cozy in effect, the impressive acrylic paintings use subtle strokes of rich colors to create a series of narrative scenes large enough to be clearly visible back to the last row of storytime or classroom. The characters remain convincing as dolls, toys, and trains despite the slight changes in expression, position, and emotion that bring them to life. The most memorable elements of the artwork, though, are the fluid lines, rounded shapes, and warm colors of the lyrical landscapes, which are reminiscent of paintings by Thomas Hart Benton. Chances are the unassuming Little Blue Engine never expected such a handsome showcase, even for her finest hour, but this edition provides a brilliant new setting that many readers will prefer to the original picture book. --Carolyn Phelan Copyright 2005 Booklist

Horn Book Review

This new oversize edition is quite handsome; the illustrations, using the same palette as the original, are lovely. But it's too big, the illustrations too lush, the slender little story almost crushed under this version's good intentions. It's one thing to rescue an out-of-print gem; it's an entirely different matter to tamper with a never-out-of-print classic. (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. All rights reserved.