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The body, subject & subjected : the representation of the body itself, illness, injury, treatment & death in Spain and indigenous and Hispanic American art & literature / edited by Debra D. Andrist.

Contributor(s): Material type: TextTextPublisher: Brighton ; Chicago : Sussex Academic Press, 2016Description: 1 online resource (270 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781782843306 (e-book)
Other title:
  • Body, subject, and subjected
Subject(s): Genre/Form: Additional physical formats: Print version:: Body, subject & subjected : the representation of the body itself, illness, injury, treatment & death in Spain and indigenous and Hispanic American art & literature.DDC classification:
  • 700/.456109 23
LOC classification:
  • N7570 .B64 2016
Online resources: Summary: "Hominids have always been obsessed with representing their own bodies. The first "selfies" were prehistoric negative hand images and human stick figures, followed by stone and ceramic representations of the human figure. Thousands of years later, moving via historic art and literature to contemporary social media, the contemporary term "selfie" was self-generated. The Body, Subject & Subjected illuminates some "selfies." This collection of critical essays about the fixation on the human self addresses a multi-faceted geographic set of cultures - the Iberian Peninsula to pre-Columbian America and Hispanic America - analyzing such representations from medical, literal and metaphorical perspectives over centuries. Chapter contributions address the representation of the body itself as subject, in both visual and textual manners, and illuminate attempts at control of the environment, of perception, of behavior and of actions, by artists and authors. Other chapters address the body as subjected to circumstance, representing the body as affected by factors such as illness, injury, treatment and death. These myriad effects on the body are interpreted through the brushes of painters and the pens of authors for social and/or personal control purposes. The essays reveal critics' insights when "selfies" are examined through a focused "lens" over a breadth of cultures"-- Provided by publisher.
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Item type Current library Call number Status Date due Barcode Item holds
Ebrary Online Books Ebrary Online Books Colombo Available CBERA10001767
Ebrary Online Books Ebrary Online Books Jaffna Available JFEBRA10001767
Ebrary Online Books Ebrary Online Books Kandy Available KDEBRA10001767
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Enhanced descriptions from Syndetics:

Hominids have always been obsessed with representing their own bodies. The first "selfies" were prehistoric negative hand images and human stick figures, followed by stone and ceramic representations of the human figure. Thousands of years later, moving via historic art and literature to contemporary social media, the contemporary term "selfie" was self-generated. The Body, Subject & Subjected illuminates some "selfies." This collection of critical essays about the fixation on the human self addresses a multi-faceted geographic set of cultures - the Iberian Peninsula to pre-Columbian America and Hispanic America - analyzing such representations from medical, literal and metaphorical perspectives over centuries. Chapter contributions address the representation of the body itself as subject, in both visual and textual manners, and illuminate attempts at control of the environment, of perception, of behavior and of actions, by artists and authors. Other chapters address the body as subjected to circumstance, representing the body as affected by factors such as illness, injury, treatment and death. These myriad effects on the body are interpreted through the brushes of painters and the pens of authors for social and/or personal control purposes. The essays reveal critics' insights when "selfies" are examined through a focused "lens" over a breadth of cultures. The result, complex and unique, is that what is viewed - the visual art and literature under discussion - becomes a mirror image, indistinguishable from the component viewing apparatus, the "lens".

Includes bibliographical references and index.

"Hominids have always been obsessed with representing their own bodies. The first "selfies" were prehistoric negative hand images and human stick figures, followed by stone and ceramic representations of the human figure. Thousands of years later, moving via historic art and literature to contemporary social media, the contemporary term "selfie" was self-generated. The Body, Subject & Subjected illuminates some "selfies." This collection of critical essays about the fixation on the human self addresses a multi-faceted geographic set of cultures - the Iberian Peninsula to pre-Columbian America and Hispanic America - analyzing such representations from medical, literal and metaphorical perspectives over centuries. Chapter contributions address the representation of the body itself as subject, in both visual and textual manners, and illuminate attempts at control of the environment, of perception, of behavior and of actions, by artists and authors. Other chapters address the body as subjected to circumstance, representing the body as affected by factors such as illness, injury, treatment and death. These myriad effects on the body are interpreted through the brushes of painters and the pens of authors for social and/or personal control purposes. The essays reveal critics' insights when "selfies" are examined through a focused "lens" over a breadth of cultures"-- Provided by publisher.

Description based on print version record.

Electronic reproduction. Ann Arbor, MI : ProQuest, 2016. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

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