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Luigi Pirandello : contemporary perspectives / edited by Gian-Paolo Biasin and Manuela Gieri.

Contributor(s): Material type: TextTextSeries: Major Italian authorsPublisher: Toronto, [Ontario] ; Buffalo, [New York] ; London, [England] : University of Toronto Press, 1999Copyright date: ©1999Description: 1 online resource (247 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781442676855 (e-book)
Subject(s): Genre/Form: Additional physical formats: Print version:: Luigi Pirandello : contemporary perspectives.DDC classification:
  • 852/.912 21
LOC classification:
  • PQ4835.I7 .L854 1999
Online resources:
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Holdings
Item type Current library Call number Status Date due Barcode Item holds
Ebrary Online Books Ebrary Online Books Colombo Available CBEBK70002990
Ebrary Online Books Ebrary Online Books Jaffna Available JFEBK70002990
Ebrary Online Books Ebrary Online Books Kandy Available KDEBK70002990
Total holds: 0

Enhanced descriptions from Syndetics:

Essays discuss the texts of Luigi Pirandello, one of the literary giants of this century and present an up-to-date re-evaluations of Pirandello's works, including his poetry, novels, short stories, plays, essays, letters, and memoirs.

Description based on print version record.

Electronic reproduction. Ann Arbor, MI : ProQuest, 2016. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

Reviews provided by Syndetics

CHOICE Review

An outstanding contribution to Pirandello studies, this well-edited, rich volume offers 12 outstanding essays on diverse aspects of Pirandello's fictional and theatrical production and on the directions of current critical work on his oeuvre. Each of the four sections--"Introduction," "Structures," "Meanings," and "Innovations"--offers balanced and learned readings of canonical and less well known Pirandellian texts by distinguished scholars working in North America and Italy. Of particular interest are the introductory essays: "Pirandello at 360 Degrees," by the volume's editors, provides a succinct and thoughtful overview of the essays and their salient critical directions; "Scenes and Texts: Perspectives in Pirandellian Criticism," by Franca Angelini, orients readers to the productions of plays and editorial initiatives of 1993-94 (that is, those that appeared after the 1993 expiration of Pirandello's copyright on his works). Among the most stimulating readings are Daniela Bini's essay, which is deeply informed with a feminist critical perspective, and Wladimir Krysinki's consideration of Pirandello within the context of discourses on modernity and postmodernism. All of the pieces are marked by erudition and originality of approach and insight. Highly recommended to scholars (upper-division undergraduate and above) and general readers with interests in theater and drama, Italian, and comparative studies. R. West; University of Chicago

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