000			03374nam a2200421 a 4500
001			EBC807226
003			MiAaPQ
006			m o d |
007			cr cn|||||||||
008			110506s2011 enka sb 001 0 eng d
010			_z 2011019696
020			_z9781107014381 (hardback)
020			_z9781139157889 (e-book)
035			_a(MiAaPQ)EBC807226
035			_a(Au-PeEL)EBL807226
035			_a(CaPaEBR)ebr10514189
035			_a(CaONFJC)MIL334264
035			_a(OCoLC)763159317
040			_aMiAaPQ _cMiAaPQ _dMiAaPQ
043			_an-us---
050		4	_aPS153.N5 _bC54 2011
082	0	4	_a812/.509896073 _223
100	1		_aColbert, Soyica Diggs, _d1979-
245	1	4	_aThe African American theatrical body _h[electronic resource] : _breception, performance, and the stage / _cSoyica Diggs Colbert.
260			_aCambridge ; _aNew York : _bCambridge University Press, _c2011.
300			_axiii, 329 p. : _bill.
504			_aIncludes bibliographical references and index.
505	8		_aMachine generated contents note: Overture: rites that render repairing: Suzan-Lori Parks' The America Play; 1. Repetition/reproduction: the DNA of black expressive culture: Lorraine Hansberry's A Raisin in the Sun; 2. Recuperating black diasporic history: W. E. B. Du Bois' The Star of Ethiopia; 3. Re-enacting the Harlem Renaissance: Zora Neale Hurston's Color Struck; 4. Resisting shame, offering praise and worship: Langston Hughes's Tambourines to Glory; 5. Resisting death: the blues bravado of a ghost: James Baldwin's Blues for Mister Charlie; 6. Rituals of repair: August Wilson's Joe Turner's Come and Gone; 7. Reconstitution: Suzan-Lori Parks' Topdog/Underdog; Epilogue: Black movements: Tarell Alvin McCraney's In the Red and Brown Water; Bibliography.
520			_a"Presenting an innovative approach to performance studies and literary history, Soyica Colbert argues for the centrality of black performance traditions to African American literature, including preaching, dancing, blues and gospel, and theatre itself, showing how these performance traditions create the 'performative ground' of African American literary texts. Across a century of literary production using the physical space of the theatre and the discursive space of the page, W. E. B. Du Bois, Zora Neale Hurston, James Baldwin, August Wilson and others deploy performances to re-situate black people in time and space. The study examines African American plays past and present, including A Raisin in the Sun, Blues for Mister Charlie and Joe Turner's Come and Gone, demonstrating how African American dramatists stage black performances in their plays as acts of recuperation and restoration, creating sites that have the potential to repair the damage caused by slavery and its aftermath"-- _cProvided by publisher.
533			_aElectronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
650		0	_aAmerican literature _xAfrican American authors _xHistory and criticism.
650		0	_aAfrican Americans in literature.
655		4	_aElectronic books.
710	2		_aProQuest (Firm)
856	4	0	_uhttps://ebookcentral.proquest.com/lib/bcsl-ebooks/detail.action?docID=807226 _zClick to View
999			_c751151 _d751151