Syndetics cover image
Image from Syndetics

Drawn from life : science and art in the portrayal of the New World / Victoria Dickenson.

By: Material type: TextTextPublisher: Toronto, [Ontario] ; Buffalo, [New York] ; London, [England] : University of Toronto Press, 1998Copyright date: ©1998Description: 1 online resource (341 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781442674103 (e-book)
Subject(s): Genre/Form: Additional physical formats: Print version:: Drawn from life : science and art in the portrayal of the New World.DDC classification:
  • 508/.022/2 21
LOC classification:
  • Q222 .D535 1998
Online resources:
Star ratings
    Average rating: 0.0 (0 votes)
Holdings
Item type Current library Call number Status Date due Barcode Item holds
Ebrary Online Books Ebrary Online Books Colombo Available CBEBK70002788
Ebrary Online Books Ebrary Online Books Jaffna Available JFEBK70002788
Ebrary Online Books Ebrary Online Books Kandy Available KDEBK70002788
Total holds: 0

Enhanced descriptions from Syndetics:

An illustrated archeology of the imagination that reveals how artists and writers from the late 16th to the early 19th century, most of whom had never seen North America, portrayed the natural history and landscape of North America to European readers.

Includes bibliographical references and index.

Description based on print version record.

Electronic reproduction. Ann Arbor, MI : ProQuest, 2016. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

Reviews provided by Syndetics

CHOICE Review

Dickenson's study of natural history illustration has clearly grown out of a love for the printed picture. Her study of these old books entails deep analyses of the pictures themselves, not just the accompanying text. The chronology ranges from the European "discovery" of the New World into the 19th century. Focusing on the northern half of North America, especially Canada, she explores not only the customary images of flora and fauna but landscapes as well. She endeavors to extract the meaning and purpose of the images in their original context, rather than to impose present knowledge onto the past. However, she does apply present-day conceptual methodology regarding matters of stylistic convention and naturalistic representation, the relationship between pictures and text, and various contextual issues. She is especially sensitive to the role of media, noting the different expressive qualities of drawings, watercolors, and various printmaking techniques. Importantly, she does so in a clear and concise writing style. This study of the European vision of the New World makes a significant contribution to the burgeoning area of scientific illustration as a branch of the conceptual and material history of science. Upper-division undergraduates through faculty. D. Topper University of Winnipeg

There are no comments on this title.

to post a comment.