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Enlightening encounters : photography in Italian literature / edited by Giorgia Alu and Nancy Pedri.

Contributor(s): Material type: TextTextSeries: Toronto Italian studiesPublisher: Toronto, [Ontario] ; Buffalo, [New York] ; London, [England] : University of Toronto Press, 2015Copyright date: ©2015Description: 1 online resource (339 pages) : color illustrations, photographsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781442669895 (e-book)
Subject(s): Genre/Form: Additional physical formats: Print version:: Enlightening encounters : photography in Italian literature.DDC classification:
  • 850.9357 23
LOC classification:
  • PQ4053.P46 .E555 2015
Online resources:
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Holdings
Item type Current library Call number Status Date due Barcode Item holds
Ebrary Online Books Ebrary Online Books Colombo Available CBEBK70002516
Ebrary Online Books Ebrary Online Books Jaffna Available JFEBK70002516
Ebrary Online Books Ebrary Online Books Kandy Available KDEBK70002516
Total holds: 0

Enhanced descriptions from Syndetics:

Enlightening Encounters traces the impact of photography on Italian literature from the medium's invention in 1839 to the present day.

Includes bibliographical references and index.

Description based on print version record.

Electronic reproduction. Ann Arbor, MI : ProQuest, 2016. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

Reviews provided by Syndetics

CHOICE Review

Alù (University of Sydney, Australia) and Pedri (Memorial Univ., Newfoundland) have put together a groundbreaking exploration of the impact of photography on Italian literary texts, published from the mid-19th century onward, in which photographic imagery is integrated into the narrative. Organized into four parts and 11 chapters, the interdisciplinary essays focus on a single text or multiple texts, including works on which a writer and a photographer collaborated. Contributors also investigate works in which vivid description of the subject matter takes on a photographic quality. All the contributors take into consideration the aesthetics, linguistics, stylistics, and themes of the writings and photographs. Works by authors, photographers, and teams of the two--De Amicis, Valera, Serao, Neera, Verga, Capuana, Calvino and Celati, Fossati and Messori, Imbriani, De Luca, Giacomelli and Crocenzi, Tabucchi and Del Giudice, Romano and Vittorini, Moravia, De Carlo, and Vorpsi--are analyzed, with the essays relying heavily on theoretical frameworks of Barthes, Peirce, Bazin, Sontag, and Benjamin. Summing Up: Essential. Graduate students, researchers, faculty. --Chiara De Santi, State University of New York at Fredonia

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